Blogifesto

Microcosm Publishing, Microcosm Distribution, and Pioneers Press...

November 07, 2013 — by Tim W.

Hey Folks, Although some of you may not know, Microcosm Publishing was effectively split into two separate companies on August 1, 2012. This was done for a number of personal, financial, and geographic reasons, and led to the formation of Microcosm Distribution (which has since become Pioneers Press). Unfortunately, splitting a company in two

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Behind a Wall of Books

October 24, 2013 — by Erik Spellmeyer

Anybody ever watch that old movie Night Train to Munich? For some reason every time I get on a tr Alt textain I expect spies and espionage. The night train from Portland to San Francisco, lovingly called, “The Coast Starlight” has a time schedule based on approximations at best, and aside from the uncouth and suggestive remarks from the café car over the loudspeaker, little to no excitement is what you can expect. But for anyone tenured to the ways of rail transit, I’m sure you could amalgamate a fine story, riddled with excitement from all your Amtrak adventures.

Last week I journeyed by way of the “Starlight” to the Bay area for the great Alternative Press Expo (APE). I was to be joined by Corbett Redford of the nefarious satirical duo, Bobby Joe Ebola and the Children MacNugget’s, for a two day tabeling event behind a wall of Microcosm! The event took place at the Concourse; this place was, to my guess about the size of two football fields, that’s approximately 116,000 square feet of comics, books, fans, and various collected art from all facets and corners of the imagination.

 

I arrived a few days early to pound the sidewalks and disseminate the volumes of Microcosm’s gamut to the eager public. Most of this I accomplished on foot, however my friend DJ Freshstep occasioned to scoot me about the city on the back of his Vespa. This was the one, quasi euro transit attack I managed.

 

Corbett, harnessing his impressive clout, succeeded in shepherding me, during one of my afternoons, though the  backdoors of some of the great legendary record and comic shops of the city. The two Amoeba’s,  Rasputin, and 1-2-3-4  Go, gave us the royal welcome and what seemed like every comic shop in the city was well enthused to shake the hand of an affiliate of Henry & Glenn. 

  Last gasp

A who’s who mixer at the opulent office of Last Gasp prefaced the two days of the APE. If you’ve ever wondered what it’d be like to walk around in a Robert Crumb drawing, while glancing through old photographs of William Burroughs gripping his iconic pistol, Last Gasp wont disappoint. It was like a museum but more along the lines of the home of your parent’s awesome hippy friends. Think of the Barthes collection, but superimpose all the bizarreness of the 1960’s drug culture.

  Alt text

The two days of the APE, Corbett and I huddled, side-by-side behind the great wall of Microcosm titles I created for our display. Corbett was mostly occupied preaching the good word from his newly debuted Microcosm release(s), The Bobby Joe Ebola Song Book, and Meal Deal With the Devil; Signatures were given and reluctantly received! No time to sit and a near 19 hours of collected alternative press left us dizzy and hyper-conscious of the mistake of building a wall, behind which there can be no sitting, less you leave the books to speak for themselves. 

 

APE, see you next year!

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Analog Media Party

September 19, 2013 — by Joe Biel

Alt textWe had a really stellar first meeting for the Analog Media Party this month after Wordstock!

It's a publisher's meetup group with the goals of forming both a regional publisher's association and organizing an annual bookselling event!

 
We identified some things we are interested in last time: networking, brainstorming, cover review, helping each other grow, developing the business end, meeting each other, venting/kveching (a new word for me), creating a supported industry, sharing resources, and eventually developing some clout.

We envision a one day bookselling event partnered with a one day trade show with programming for publishers in Dec 2014

We'll be having our second meeting at the Lucky Lab on 9th/Hawthorne on Nov 3 at 4 PM.

 

 

While other local festivals are extreme micro or focus on author services and promising big dreams with big publishers, the Analog Media Party is Portland's newest mid-sized publishing festival focused on programming and networking for publishers with a bookfair for the public to sell your books!

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Why Not? Minot Festival

August 19, 2013 — by Joe Biel

There aren't many events that we go to every single year for Microcosm, so when we make repeated appearances it's either a matter of three different things: Getting to catch up with very special friends who live there, consistently awesome support for what we are doing, or a truly amazing and inspiring event. Somehow Why Not? Minot Fest offers all three. You wouldn't exactly think of Minot as a cultural epicenter or even associate it with art, necessarily. Which is why it surprised me so much when I made my first trip back in 2006, after seven years away, to discover a vibrant music scene at The Red Carpet, a DIY venue on the outskirts of the city.

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Dinner & Bikes Tour Reflections

July 25, 2013 — by Joe Biel

It's been over a month since we returned home from the now-annual Dinner & Bikes Tour but it remains the kind of activism that I think about most frequently. For those unfamiliar, it involves Elly Blue, Joshua Ploeg, and I renting a car for a month, hitting up a different region of the U.S., and depositing our food and bike love in our wake.

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Get to know Grow: Introducing Designer Meggyn Pomerleau

March 28, 2013 — by Eleanor Whitney

Grow coverGrow: How to take your do it yourself project and passion to the next level and quit your job! is a practical field guide for creative people to achieve success and sustainability on their own terms. Part of Grow’s mission is to empower creative people to come up with innovative solutions to make their creative passions sustainable career options. The first step in that process is to assess where you are and define where you want to go. In the spirit of Grow I posed a series of questions to Meggyn Pomerleau, who designed the book, about her career and goals so far. The issues that Meggyn outlines in our conversation are the ones that inspired me to write Grow: How to balance your creative passion with “real life,” how to understand what you and your creative work is worth, and how to face down an uncertain future with a careful planning.

Right now I’m in the process of putting together a series of workshops around the country this summer that will help creatives like Meggyn plan for DIY success. Until midnight on April 1 (9 pm pacific time) we are running a campaign on RocketHub.com to support the workshop tour and the production of Grow. We’d love to have your support!


How do you describe yourself creatively? What do you do and make and what would you like to do and make?


- I am a graphic artist. I make, draw, manipulate, form, paint, and sketch. Professionally, I'm a graphic designer and I primarily build websites. What I really like to do is illustrate and create typefaces.


What skills do you think are your strongest?


- My communication skills have gotten me to a point where I haven't had to seek out work, ever.  I'm also surprisingly good at drawing using my touch-pad on my laptop.  


What skills do you feel you need to develop? How will you go about this?


- I still need to work on my time management skills, as well as practicing and researching my craft. Unfortunately, because I'm still a full time cubicle drone it’s difficult to find the time to work on my technical skills. That's my main challenge right now--to make the decision to devote myself fully to my passion, or taking small steps to allow myself to have it in the future.


How integrated is your creative work into the rest of your life?

- My life is design, despite having the office job. I dream about typography; I pay attention to advertisements and details in logos, banners, and posters; and I'm constantly brainstorming pieces in my head. If I had to break it down in numbers: 40% of my life is the non-creative office job, 25% is actually creating, and 35% is everything else.

I believe it's completely possible to turn the 25% into 75% if I choose to, but I'm worried about failure, inconsistent work flow, and settling for work I wouldn't be interested in.


What is something you didn't learn in school that you wish they taught about making your life and living as a creative person?


- One thing no one discussed was how to know what you're worth. A lot of fresh graphic design graduates settle for production work, which doesn't do anything for you, creatively.

Additionally, I wish that I had more one-on-one guidance and the professors helped us determine what kind of designer we were, how technically skilled we were, and where we should go to look for work in order to shape our future a bit. Design can be applied to many things, and if it's not narrowed down to a specific category, it's overwhelming to try to decide what category you're going to focus on and try to pursue.


What are your creative goals for the next year? For the next five years?


- This next year, my goal is to develop a consistent style in my design that draws people to my work. I haven't painted in the longest time, and I'm going to start again, to get back to my roots of being an artist.

In the next 5 years, I'd like to work for an agency or something fast paced and high stress or work as a freelance artist full time with clients sending me consistent work.

Grow tips

Check out Meggyn's work in Grow! http://microcosmpublishing.com/catalog/books/3905/

And support the RocketHub campaign here: http://www.rockethub.com/projects/14039-empower-diy-creative-entrepreneurs-with-grow

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2012 Financial Report

March 24, 2013 — by Joe Biel

In the name of fiscal transparency, here's our 2012 financial report! You can read them from 20112010, and 2009 too! We've made a lot of headway this year and feel like we are approaching a good place despite a recession and changing publishing industry. We've resolved a tremendous amount of old debt so big thanks and hugs to everybody who stuck with us this year. We are still working on re-instating last year's reduced wages and healthcare but we are finding creative ways to work out those problems by next October. Here's a toast to continued improvements in 2013! If you want to help, it is always helpful to sign up for a BFF subscription or purchase anything from the site!  

2012 Income $264,226.84 (17.3% decrease)

 

Expenses

=========

Printing Bills $84,418.65 (34.2% increase, 32.9% of budget)

Total staff wages $46,908.84 (a 106.4% increase, 17.8% of budget)

Shipping $39,153.20 (5.9% decrease, 14.8% of budget)

Paid to publishers and distributors $32,306.09 (64.8% decrease, 12.2% of budget)

Utilities, insurance, phone, office supplies, etc $26,716.09 (32.8% decrease, 10.1% of budget)

Rent $10,400 (17.5% decrease, 3.9% of budget)

Royalties to authors $9,911.44 (27.3% decrease, 3.8% of budget)

Zines bought from makers $6,033.04 (68.6% decrease, 2.3% of budget)

Advertising $5,457.80 (81.1% increase, 2.1% of budget)

Catalog Printing $2,638.56 (8.6% decrease, 1% of budget)

Travel $1,251 (71.1% increase, .5% of budget)

Staff Healthcare $0 (0% of budget)

Donations $15,495 (488% increase)

=================

Total Expenses $265,194.71

 

Total $-967.87 (loss)

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Here at the 'cosm ...with the CIA.

February 16, 2013 — by Jeff Hayes

Happy Valentine's Day! I hope all you lovers out there were out lovin'.

We've been active around here lately. Tim is heading down to Austin for Staple, our store continues to evolve, we've got lots of bright ideas for the future, and we're adding lots of new titles on the website!

If you haven't read the new CIA Makes Science Fiction Unexciting yet, you should. It's creepy. It's disturbing. It's angering. Some parts are downright sickening. But it's also exciting, enticing, and undoubtedly interesting. It contains minimal speculation and maximal research. Much of the content is admitted by government officials and operatives themselves. And the book compiles it together to let you see more of the big picture. And it's not a pretty one. Not only does it bring un-skewed history to light, it's a time capsule that you can send to friends and family to provoke thoughts and conversation. Even if they don't want to believe most of it, it's provocative so they can't help reading it anyway. If you've read the original zines, you still want this, because it's all been updated.

;)
Stay safe out there!
-Jeff

  CIA book

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Meet the Interns

January 11, 2013 — by Tim

How’d you get here? Mackenzie: The Northridge Earthquake, which hit just before my before my scheduled due-date, urged my mother to go to her home town to have her lil’ baby. Therefore, I was born in St. Louis Missouri rather than Los Angeles, my real hometown, but permanently moved back to the west coast shortly after my birth. Now, many years later, I go to school in Vermont, which enabled me to intern at Microcosm. I drove up the 5 from Los Angeles all the way to Portland with my good ol’ friend Phil. Elizabeth: Born in Texas, raised in Tennessee, schooled in Vermont - a drive to Albany, a flight to Cleveland, a drive to Knoxville, a flight to Denver, another to Seattle, another to Portland and here I am. Phil: I’ve been an LA boy my whole life, but now I go to school in Vermont. Mackenzie and I drove up to Portland with full hearts and a full...

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A Statement From Microcosm

January 03, 2013 — by Microcosm

Several people have asked for an update on all of the confusing developments at Microcosm since we published our You Can Work Any 100 Hours Per Week history zine in 2006. The internet, if it's anything, is a confusing place to get clear and reliable information where you have to navigate innumerable biases, so putting our story out there to be found seemed like a good idea.

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