outside the speak in tongues punk space in 1997 cleveland

Calling for submissions for the Scene History series!

Are you stoked about the history of your town? handwritten "clean up your mess" sign at Speak in TonguesDo you find out interesting nuggets by talking to those who came before you or by scouting out details on Google and Wikipedia? Do you want a reason to hunt out some people you respect and fill in the gaps?

Well, the Scene History series is an opportunity to do just that. Like our Simple History Series, we will publish a new volume each year of the Scene History series that tell the story of a particular city’s scene. (the series does not profile individuals, albums, or bands, and must be framed around a real scene, no fiction!)

Suggested length is 15,000-30,000 words. Get as creative as you find gratifying. Learn about your favorite places and how things developed.

Check out the existing Scene Histories here!

To pitch, just send a general summary of the scene that you are profiling, the years profiled, and your qualifications/interest to profile it! Will it be prose or comics? Do you have access to photos and images? Why are you excited to do this?

The most common trap that people run into writing for this series is that they want to write an encyclopedia—everything that happened in sequence, include all of their friends, and generally share every detail and almost immediately they spiral away from any kind of coherent narrative at all.
In any writing and especially for this series, it’s important to maintain a narrative structure—the scene is the protagonist and your story needs to show the scene changing as a result of resolving the conflict.
Create an outline for us to review—Intro, Chapters, Conclusion—with one to three paragraphs describing each section. Each section’s description should open by stating the main knowledge and skills the reader will take from that chapter, and giving us a little color about what sort of research, science, details, and/or examples it touches on. This isn’t busywork and typically becomes the frame and the actual opening text to each chapter. Even after work has been accepted, this exercise is the first step towards the editorial process.

Submit or ask questions to joe at microcosmpublishing daht com