Posts By: microcosm

Dinner & Bikes Tour Reflections

DINNER + BIKES '011 from Cantankerous Titles on Vimeo.

It’s been over a month since we returned home from the now-annual Dinner & Bikes Tour but it remains the kind of activism that I think about daily.

For those unfamiliar, it involves Elly Blue, Joshua Ploeg, and I (joined this year by roadie Aaron Cynic) renting a car for a month, hitting up a different region of the U.S., and leaving as much food and bike love (and Microcosm goodies) in our wake as we can.

Joshua and I had toured together for four years before the three of us founded Dinner + Bikes, but the concepts used to be a bit unclear. What was our tour about? Who were we? What were we trying to accomplish? The basic journalistic questions were increasingly hard to decipher from our posters and most people seemed to show up not knowing what to expect.

So we talked it over, tightened it up, and created a platform. Joshua would serve a seven course meal that he’d cook onsite from ingredients purchased locally. Elly would present her current fascinations on Bikenomics, bicycle equity (Bikequity?), and “The Gender Gap in Bicycling.” I’d show various curations of short films I’d made about bicycling, bicycle activism, and bicycle culture, most recently showing an excerpt of Aftermass.

But secretly, the event has nothing to do with us. We are only necessary to bring people together and for the first five minutes or so to get people talking, though arguably, Joshua’s activities in the hours before the event makes everyone much happier come dinner time. 

So we drive around the country for a month so people who live in the same town as each other have a means and a reason to come together, meet each other, and talk about improving their city, no matter where they are in the continuum.

Not to toot our own horn, but our events attract people from all across the spectrum, from bloggers and journalists to city planners to activists to city staff to bike project volunteers to ride organizers to elected officials to roadies and racers to bike clubs to advocacy organizations with proper offices or even those who volunteer from their home to make their city a more pleasant place to ride a bicycle. In most cases, if these people have ever met before, it’s rarely been on equal footing or they haven’t had the opportunity to have a proper sit down conversation. And the results have blown my mind.

We’ve been able to play matchmaker to numerous new couples who either met at our events, went on their first date to see us, or were able to find romance through Dinner + Bikes in a capacity that isn’t PG-rated. Or, in many cases, our events simply turn weekend warriors into everyday commuters.

But that’s just the beginning. We’ve been able to watch as action brews in our wake and people write blog posts or send us emails about how learning about Portland’s history or what activism is working elsewhere has propelled them into action. They are engaging city officials about how bicycling is an economic stimulator or learning how to be politically effective in asking for the changes they want to see and having the confidence to do so. In Reno, NV we watched an entire new advocacy organization form after we left town, employing the tactics they’d learned from our video about Active Right of Way in Portland.

Sometimes we are shocked to learn what has been going on in places like Spokane or St. Louis where monthly rides can attract over one hundred people year round, despite weather, darkness, and lack of infrastructure.

In Detroit, we were very lucky enough to end up performing at the Handy Jam, formerly the sound stage for Jam Handy Productions, which anyone who downloads expired copyright films knows of as one of the most prolific pre-Hollywood era propaganda filmmakers. At our event there we met the coolest “competition” Dinner + Bikes could have in the form of Detroit Brunch & Bike, a group of young people who ride their bikes to various local restaurants once per week and throw hundreds of dollars into their local economy. Inspiration, match and serve!

In my hometown of Cleveland, an elected official told us that we were not living in the “real world, where people want to drive to grocery stores and the mall.” A minister confirmed our suspicions that there is a special place in Hell for bike thieves. A latecomer who missed the parking portion of the presentation mansplained about the importance of talking about the costs of car parking. And despite no one suggesting it, a public employee explained that he couldn’t ride the 28 miles from his house to his office. And it was, of course, the advocates who told the room just how dangerous and complicated bicycling is. Numerous people complained that they didn’t relate with the Portland experience. But somehow, after all that, Elly was able to save the day by putting them into their midwestern competitive spirit, telling them that their football rivals, Pittsburgh, were doing more for bicycling than Cleveland, despite teetering on the edge of bankruptcy.

Sometimes the greatest joy is seeing that Memphis and Houston are rapidly developing their bikeway systems and riderships, even though it’s not being reported much in national media or even on the internet. So we leave our computers and meet the people in real life, like Amy Murphy in Mobile, Alabama who told us after we left, “Since you’ve gone, not a day has gone by that we haven’t ridden our bikes everywhere we’ve gone and even embraced taking the lane a few times (in admittedly low traffic). This afternoon we’re headed to Fairhope to see how their newly restriped areas of town are doing and so we can write their mayor and city council to thank them for it and let them know it brought us to their town to spend some money. Anyway, all that to say that we’ve taken on even more of a role as bike advocates here in town, thanks in large part to your visit, and we’d love to stay in touch. I just read your entry on my hometown of Baton Rouge and am amazed that anyone can bike in that city, though I did notice the prevalence of sharrows in my sister’s area of town starting a few visits ago… I would be terrified to try them out with all of the surrounding aggressive drivers, in all honesty, but each time I go I’ve noticed more and more cyclists and it seems a lot less intimidating.”

The biggest reward is watching people who work a typical day job during the day, but see the need and take up the challenge, becoming superheroes—whether that means routinely poking elected officials to keep their promises, spraypainting guerilla bike lanes in the middle of the night (that sometimes become permanent), or organizing petitions with businesses to improve neighborhoods for better living conditions.

On this most recent tour, we went to cities like Detroit, DC, Buffalo, Lafayette, Cincinnati, Indianapolis, and East Lansing where bicycling is one of many concerns in a crippled economy where basic needs are not being met. Despite this, we found huge riderships almost everywhere we went and even where road or cultural conditions were not ideal, it didn’t ever seem to take the smiles off people’s faces.

This year I set out to take one good photo every day of tour and while I failed to some degree, I feel that, in the same way, certain events exceeded expectations by such a wide margin that they were much more photogenic and deserve half a dozen photos.

Why We Drive: The Past, Present, and Future of Automobiles in America

Today, we’re married to our cars. But life behind the wheel of an automobile didn’t come naturally to Americans. Crooked politicians, unscrupulous businessmen, burning streetcars, and convoluted tax shenanigans are a few of the players in this gripping tale of corruption, greed, and endless miles of asphalt. Comics, text, and historic photographs tell the story of the rise of the U.S. highway system and the corresponding demise of rail and public transportation. Also shown is the story of how we can ditch the car and rebuild the functional transportation system that has been shown to bring wealth, happiness, and freedom.

Xerography Debt #33

Since 1999, Davida Gypsy Breier’s review zine, Xerography Debt might be best summarized as an obsession for all involved. Now maintaining three issues per year, the 32nd issue of Xerography Debt is still “the review zine with personal tendencies,” allowing its hand-picked cast of contributors to essay both the zines they love and where those zines find them in their lives. Al Burian writes about David Hasselhoff as an embarrassment to Germany while other writers muse on the pulse of zinedom, librarians as unsung heroes, flakey barter, and hundreds of new zines being reviewed about all matter of topics! Rather than spending time and ink bashing things or being forced to write about something they don’t care about, the reviewers hand-select what they want to write about the result is much more interesting. In an age of blogs and tweets, Xerography Debt is a beautiful, earnest anachronism, a publication that seems to come from a different era, but is firmly entrenched in the now. And they want to review your zines in future issues: Davida Gypsy Breier / PO Box 11064 / Baltimore, MD 21212

 is a beautiful, earnest anachronism, a publication that seems to come from a different era, but is firmly entrenched in the now. And they want to review your zines in future issues: Davida Gypsy Breier / PO Box 11064 / Baltimore, MD 21212

Dreamwhip #15: The Pedal-Powered Movie Tour

“I’ve always ridden junker bikes in junky clothes, so these skintight bike shorts are a line I’m reluctant to cross. I try them on. It’s a weird feeling: part bondage gear, part adult diaper. I feel stupid and just a tiny bit sexy…”

Follow Bill and his friends as they pedal over hill and dale on a bike ride across the United States. It’s 2000 miles of meth heads and road rage; rail trails; Mississippi River murder; psychic waitresses; anarchists; haunted Unitarian churches; soybeans from Satan; farm dogs with bad attitudes; and coconut cream pie. 

Henry & Glenn Forever & Ever #2

In the latest installment of the greatest love story ever told, Glenn’s mother, freshly unearthed from beneath the bricks, moves in with him and Henry. Without giving too much away, Glenn’s mommy issues come to the surface as she critiques his art, replaces his wardrobe, scrubs their dungeon, and recalls his childhood. Glenn tries to sell his signature to a UPS driver, takes a punch, and has some daydreaming adventures with a plunger. Henry, “a loud guy with a good work ethic,” shows his darker side and indifference to a fan as he drinks black coffee and bonds with Glenn over their distaste for their own bands; two men who suffer best alone together. Additional pin up art by Andy Belanger, Katie Skelly, and Tom Scioli. Darkest and best issue yet.

Bamboozled: An Incarcerated Boxer Goes Undercover for John McCain’s Boxing Bill

In this introspective exploration of former boxer Joey Torrey’s life, his past, his murder conviction, and his more than 30-year incarceration in a California state prison are each fine-tooth combed. Nearly five years after his original memoir, this new edition is re-written as a biography and delves deeper into circumstances surrounding Torrey’s alleged murder of his boxing coach, the lengthy prison sentence handed down, his undercover collaboration with the FBI on “Operation Matchbook” in support of John McCain’s proposed Professional Boxing Amendments Act, and the inner workings of the prison system in general. From his days as a Compton gang leader and an Olympic boxing hopeful to being tried as an adult rather than a 17-year-old minor, this compelling narrative reflects on his life as a parable as well as examining the strategies used in his conviction, such as establishing the motive as robbery despite a lack of evidence linking the opening of safe to the murderer. And after more than three decades as a model prisoner—and saving the life of a prison guard—Torrey has prolifically written hundreds of letters to Joe Biel, who finds himself in the unlikely situation to share this story.

Coffeeshop Crushes: Tales of Love and Lust in Coffee Establishments

If you’ve ever crushed out on your local barista, Coffeeshop Crushes: Tales of Love and Lust in Coffee Establishments is your new best friend! Editors Nicole J. Georges (Invincible Summer) and Jon Van Oast take you into the sexy, confusing, hilarious realm of server/customer romance (both requited and, sadly, otherwise.) With contributions from folks like Too Much Coffee Man’s Shannon Wheeler, Brainfag comix dude Nate Beaty, and Constant Rider‘sKate Lopresti, Coffeeshop Crushes is one big ball of sexual frustration and nerve-shattering caffeine! As raunchy and graphic as it is sweet and coy, Coffeeshop Crushes is 32 pages of sex, lies, and über-embarrassing shoot-downs. Now in its fourth printing, this comix/essay zine will keep you laughing and cringing until you’re too caffeine-buzzed to think!

100 Years of Modern Iran (1891-1991)

Iran has been at the center of the action for over 2500 years, but J. Gerlach’s Simple History Series covers a particularly tumultuous era from 1891-1991. This period saw the end of the nation’s monarchy, coups, foreign overthrows, revolutions, and its ascent as the world’s first Islamic theocracy.  This page turner also gives great insight into the Judeo-Christian West’s current war on the Islamic world.

Get to know Grow: Introducing Designer Meggyn Pomerleau

Grow coverGrow: How to take your do it yourself project and passion to the next level and quit your job! is a practical field guide for creative people to achieve success and sustainability on their own terms. Part of Grow’s mission is to empower creative people to come up with innovative solutions to make their creative passions sustainable career options. The first step in that process is to assess where you are and define where you want to go. In the spirit of Grow I posed a series of questions to Meggyn Pomerleau, who designed the book, about her career and goals so far. The issues that Meggyn outlines in our conversation are the ones that inspired me to write Grow: How to balance your creative passion with “real life,” how to understand what you and your creative work is worth, and how to face down an uncertain future with a careful planning.

Right now I’m in the process of putting together a series of workshops around the country this summer that will help creatives like Meggyn plan for DIY success. Until midnight on April 1 (9 pm pacific time) we are running a campaign on RocketHub.com to support the workshop tour and the production of Grow. We’d love to have your support!

How do you describe yourself creatively? What do you do and make and what would you like to do and make?

– I am a graphic artist. I make, draw, manipulate, form, paint, and sketch. Professionally, I’m a graphic designer and I primarily build websites. What I really like to do is illustrate and create typefaces.

What skills do you think are your strongest?

– My communication skills have gotten me to a point where I haven’t had to seek out work, ever.  I’m also surprisingly good at drawing using my touch-pad on my laptop.  


What skills do you feel you need to develop? How will you go about this?

– I still need to work on my time management skills, as well as practicing and researching my craft. Unfortunately, because I’m still a full time cubicle drone it’s difficult to find the time to work on my technical skills. That’s my main challenge right now–to make the decision to devote myself fully to my passion, or taking small steps to allow myself to have it in the future.


How integrated is your creative work into the rest of your life?

– My life is design, despite having the office job. I dream about typography; I pay attention to advertisements and details in logos, banners, and posters; and I’m constantly brainstorming pieces in my head. If I had to break it down in numbers: 40% of my life is the non-creative office job, 25% is actually creating, and 35% is everything else.

I believe it’s completely possible to turn the 25% into 75% if I choose to, but I’m worried about failure, inconsistent work flow, and settling for work I wouldn’t be interested in.


What is something you didn’t learn in school that you wish they taught about making your life and living as a creative person?

– One thing no one discussed was how to know what you’re worth. A lot of fresh graphic design graduates settle for production work, which doesn’t do anything for you, creatively.

Additionally, I wish that I had more one-on-one guidance and the professors helped us determine what kind of designer we were, how technically skilled we were, and where we should go to look for work in order to shape our future a bit. Design can be applied to many things, and if it’s not narrowed down to a specific category, it’s overwhelming to try to decide what category you’re going to focus on and try to pursue.

What are your creative goals for the next year? For the next five years?

– This next year, my goal is to develop a consistent style in my design that draws people to my work. I haven’t painted in the longest time, and I’m going to start again, to get back to my roots of being an artist.

In the next 5 years, I’d like to work for an agency or something fast paced and high stress or work as a freelance artist full time with clients sending me consistent work.

Grow tips

Check out Meggyn’s work in Grow! https://microcosmpublishing.com/catalog/books/3905/

And support the RocketHub campaign here: http://www.rockethub.com/projects/14039-empower-diy-creative-entrepreneurs-with-grow

2012 Financial Report

In the name of fiscal transparency, here’s our 2012 financial report! You can read them from 20112010, and 2009 too! We’ve made a lot of headway this year and feel like we are approaching a good place despite a recession and changing publishing industry. We’ve resolved a tremendous amount of old debt so big thanks and hugs to everybody who stuck with us this year. We are still working on re-instating last year’s reduced wages and healthcare but we are finding creative ways to work out those problems by next October. Here’s a toast to continued improvements in 2013! If you want to help, it is always helpful to sign up for a BFF subscription or purchase anything from the site!  

2012 Income $264,226.84 (17.3% decrease)

 

Expenses

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Printing Bills $84,418.65 (34.2% increase, 32.9% of budget)

Total staff wages $46,908.84 (a 106.4% increase, 17.8% of budget)

Shipping $39,153.20 (5.9% decrease, 14.8% of budget)

Paid to publishers and distributors $32,306.09 (64.8% decrease, 12.2% of budget)

Utilities, insurance, phone, office supplies, etc $26,716.09 (32.8% decrease, 10.1% of budget)

Rent $10,400 (17.5% decrease, 3.9% of budget)

Royalties to authors $9,911.44 (27.3% decrease, 3.8% of budget)

Zines bought from makers $6,033.04 (68.6% decrease, 2.3% of budget)

Advertising $5,457.80 (81.1% increase, 2.1% of budget)

Catalog Printing $2,638.56 (8.6% decrease, 1% of budget)

Travel $1,251 (71.1% increase, .5% of budget)

Staff Healthcare $0 (0% of budget)

Donations $15,495 (488% increase)

=================

Total Expenses $265,194.71

 

Total $-967.87 (loss)

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