Tagged books

New Newness News!

books!

Just so you know, we’ve got a lot of super great new titles! Who’s excited about Railroad Semantics #2!!?

RRS#2

If not that, how bout the new edition of Mostly True!

MostlyTrue

Raleigh Briggs even released her sequel to Make Your Place, the much-anticipated Make It Last!

MakeItLast

Beyond The Music is Joe Biel’s new book, a really great one for anyone interested in the Punk “Scene” or the DIY ethics it brings with it.

BeyondTheMusic

And of course, we can’t forget about Everyday Bicycling, Elly Blue’s know-it-all book about cycling in any and every situation, a super great guide to get someone who might just be getting into bicycling, or even the bicycling fanatics! 🙂

EverydayBicycling

Holy Cow! As I was typing this we just got another one in! The People’s Apocalypse! This one looks super interesting!

PeoplesApocalypse

If your into that whole Thanksgiving thing, these are all things to be thankful for!
If your into that whole Christmas thing, any one of these would make great gifts!
Or, you could gift one to someone on Nov. 13th for World Kindness Day.
You’ll also have to stock up on books to read for Stay At Home Because You Are Well Day at the end of the month. Book Lover’s Day doesn’t have to end on Nov. 4th, it can last all year!

I can’t even keep up around here. I’m going to have to start reading faster…

-Jeff

Get to know Grow: Introducing Designer Meggyn Pomerleau

Grow coverGrow: How to take your do it yourself project and passion to the next level and quit your job! is a practical field guide for creative people to achieve success and sustainability on their own terms. Part of Grow’s mission is to empower creative people to come up with innovative solutions to make their creative passions sustainable career options. The first step in that process is to assess where you are and define where you want to go. In the spirit of Grow I posed a series of questions to Meggyn Pomerleau, who designed the book, about her career and goals so far. The issues that Meggyn outlines in our conversation are the ones that inspired me to write Grow: How to balance your creative passion with “real life,” how to understand what you and your creative work is worth, and how to face down an uncertain future with a careful planning.

Right now I’m in the process of putting together a series of workshops around the country this summer that will help creatives like Meggyn plan for DIY success. Until midnight on April 1 (9 pm pacific time) we are running a campaign on RocketHub.com to support the workshop tour and the production of Grow. We’d love to have your support!

How do you describe yourself creatively? What do you do and make and what would you like to do and make?

– I am a graphic artist. I make, draw, manipulate, form, paint, and sketch. Professionally, I’m a graphic designer and I primarily build websites. What I really like to do is illustrate and create typefaces.

What skills do you think are your strongest?

– My communication skills have gotten me to a point where I haven’t had to seek out work, ever.  I’m also surprisingly good at drawing using my touch-pad on my laptop.  


What skills do you feel you need to develop? How will you go about this?

– I still need to work on my time management skills, as well as practicing and researching my craft. Unfortunately, because I’m still a full time cubicle drone it’s difficult to find the time to work on my technical skills. That’s my main challenge right now–to make the decision to devote myself fully to my passion, or taking small steps to allow myself to have it in the future.


How integrated is your creative work into the rest of your life?

– My life is design, despite having the office job. I dream about typography; I pay attention to advertisements and details in logos, banners, and posters; and I’m constantly brainstorming pieces in my head. If I had to break it down in numbers: 40% of my life is the non-creative office job, 25% is actually creating, and 35% is everything else.

I believe it’s completely possible to turn the 25% into 75% if I choose to, but I’m worried about failure, inconsistent work flow, and settling for work I wouldn’t be interested in.


What is something you didn’t learn in school that you wish they taught about making your life and living as a creative person?

– One thing no one discussed was how to know what you’re worth. A lot of fresh graphic design graduates settle for production work, which doesn’t do anything for you, creatively.

Additionally, I wish that I had more one-on-one guidance and the professors helped us determine what kind of designer we were, how technically skilled we were, and where we should go to look for work in order to shape our future a bit. Design can be applied to many things, and if it’s not narrowed down to a specific category, it’s overwhelming to try to decide what category you’re going to focus on and try to pursue.

What are your creative goals for the next year? For the next five years?

– This next year, my goal is to develop a consistent style in my design that draws people to my work. I haven’t painted in the longest time, and I’m going to start again, to get back to my roots of being an artist.

In the next 5 years, I’d like to work for an agency or something fast paced and high stress or work as a freelance artist full time with clients sending me consistent work.

Grow tips

Check out Meggyn’s work in Grow! https://microcosmpublishing.com/catalog/books/3905/

And support the RocketHub campaign here: http://www.rockethub.com/projects/14039-empower-diy-creative-entrepreneurs-with-grow

Here at the ‘cosm …with the CIA.

Happy Valentine’s Day! I hope all you lovers out there were out lovin’.

We’ve been active around here lately. Tim is heading down to Austin for Staple, our store continues to evolve, we’ve got lots of bright ideas for the future, and we’re adding lots of new titles on the website!

If you haven’t read the new CIA Makes Science Fiction Unexciting yet, you should. It’s creepy. It’s disturbing. It’s angering. Some parts are downright sickening. But it’s also exciting, enticing, and undoubtedly interesting. It contains minimal speculation and maximal research. Much of the content is admitted by government officials and operatives themselves. And the book compiles it together to let you see more of the big picture. And it’s not a pretty one. Not only does it bring un-skewed history to light, it’s a time capsule that you can send to friends and family to provoke thoughts and conversation. Even if they don’t want to believe most of it, it’s provocative so they can’t help reading it anyway. If you’ve read the original zines, you still want this, because it’s all been updated.

😉
Stay safe out there!
-Jeff

  CIA book

outside the speak in tongues punk space in 1997 cleveland

Calling for submissions for the Scene History series!

Are you stoked about the history of your town? handwritten "clean up your mess" sign at Speak in TonguesDo you find out interesting nuggets by talking to those who came before you or by scouting out details on Google and Wikipedia? Do you want a reason to hunt out some people you respect and fill in the gaps?

Well, the Scene History series is an opportunity to do just that. Like our Simple History Series, we will publish a new volume each year of the Scene History series that tell the story of a particular city’s scene. (the series does not profile individuals, albums, or bands, and must be framed around a real scene, no fiction!)

Suggested length is 15,000-30,000 words. Get as creative as you find gratifying. Learn about your favorite places and how things developed.

Check out the existing Scene Histories here!

To pitch, just send a general summary of the scene that you are profiling, the years profiled, and your qualifications/interest to profile it! Will it be prose or comics? Do you have access to photos and images? Why are you excited to do this?

The most common trap that people run into writing for this series is that they want to write an encyclopedia—everything that happened in sequence, include all of their friends, and generally share every detail and almost immediately they spiral away from any kind of coherent narrative at all.
In any writing and especially for this series, it’s important to maintain a narrative structure—the scene is the protagonist and your story needs to show the scene changing as a result of resolving the conflict.
Create an outline for us to review—Intro, Chapters, Conclusion—with one to three paragraphs describing each section. Each section’s description should open by stating the main knowledge and skills the reader will take from that chapter, and giving us a little color about what sort of research, science, details, and/or examples it touches on. This isn’t busywork and typically becomes the frame and the actual opening text to each chapter. Even after work has been accepted, this exercise is the first step towards the editorial process.

Submit or ask questions to joe at microcosmpublishing daht com

Interview with Raleigh Briggs, author of Make It Last: Prolonging + Preserving What We Love

What was the inspiration to write about fixing things? Raleigh briggs

We were throwing around the idea of having a book about canning, I think. But there are a million books out there about canning. I started wondering why some preservation skills were so glamorous all of a sudden, while others went under the radar. So I decided to take that same great energy around canning, pickling and whatnot and expand it to include things like mending and home repair.

DIY always seems to be about creating and making, do you think the subject of maintaining has been overlooked?

Definitely. People see maintaining as more of a chore than anything else, which, to be fair, it often is. And it can be hard to create community around fixing things up. But humble as they are, those skills make you a great asset to the people in your life (and to yourself). They’re especially crucial when folks you know are struggling. Homemade food and clothes can be a huge comfort, but helping out with a broken window or a leaky toilet is an absolute godsend.

How did you learn all your tips, tricks, and methods?

I’d be lost without my lovely local library. My friends and family were a great resource, too–people have all sorts of secrets they use around their own homes. It’s really awesome to see all the McGyvers and repair whizzes come out of the woodwork.

What have you always wanted to learn how to do, but haven’t yet?

Play the cello. Edit video. Also, electrical stuff still confuses the crap out of me.

Do you think of your work as being feminist in nature, empowering women to fix faucets and doors? 

I’m a big flaming feminist, but I don’t think of Make It Last as speaking exclusively to women. Women have always done the lion’s share of domestic work, including household repairs. But more and more, men and women alike are encouraged to buy more stuff instead of making  simple and cheap repairs to the things they already own. That’s great for the companies that make those things, but not so great for the rest of us. I want to empower everyone to fix everything, or at least, to think about what they can fix and what they have to buy, and making an empowered decision that’s in line with their values.

 Make It Last: Prolonging + Preserving What We Love

Cambodian Grrrl Takes Bronze at SATW Awards

While we spend most of our energy focusing on smaller worlds, sometimes the broader world will give us a nod as well.  In this case, we are proud to announce that Anne Elizabeth Moore is a winner in the 2012 Society of American Travel Writers’ Lowell Thomas Travel Journalism Competition, taking the bronze award in the ­­­ Travel Cambodian grrrlBook category for Cambodian Grrrl: Self-Publishing in Phnom Penh.

Winners of the award, the most prestigious in the field of travel journalism, included National Geographic Traveler, Outside Magazine, the New York Times, Los Angeles Times, Washington Post, Portland Oregonian and Afar Magazine.

In the words of the judges, “What a deceptively small, apparently simple book! Anne Elizabeth Moore packs a great deal of information and inspiration into Cambodian Grrrl, her improbable account of several months at an all-women’s university in Phnom Penh, Cambodia, teaching young women the liberating power of writing and self-publishing their stories. Moore depicts the essence of a country that has suffered so much repression, war, violence and injustice. She shows us the hope and spirit of the girls and the larger society. As a travel adviser, she’s the best: She relates what the guidebooks say, and then gives us the real scoop, in unsparing detail, laced with humor.”

Moore’s follow up (Oct 1st), New Girl Law: Drafting a Future for Cambodia  tells the story of Moore’s time working with a group of young female students re-writing the Chbap Srei, a 17th-century book that intended to establish a code of conduct for young women, which culminates in a grand discussion of human rights and gender equity, and a hand-bound book for all participants. Tragically, the completed book was banned and censored in both Cambodia and the U.S., but through Moore’s intimate style, the story of these brave writers and their chilling struggle reaches the world.

“Action!” is Awesome!

 –Action! by Bill Brown–

cover

I wish every book was like this. I opened this book when it first came in, here at Microcosm, and started skimming through the first page to check it out. Before I knew it I had read the whole thing! The delightful fluency of the text and the cute illustrations just kept me enthralled.

cute

Now I know things about making movies that I never thought I would. I always thought it would take some sort of classes and textbooks to learn about the different kinds of “old-school” film, all the types of lenses and what they’re used for, the different ways of lighting a scene, or ways of exposing video.

film 

Though I still have much more to learn, I now have a general understanding of these things. Learning about “film grains” and “depth of field” got me thinking about things I enjoy in movies that I’d never really thought about before.

depth-of-field 

I’ve recently been given the opportunity to score a documentary and it has started opening my eyes to the movie making world, but I never considered making my own movies. I’m a musician that enjoys all things audio, but this book forces me to consider taking up this art-form as well. After all, anyone can make movies with this book.

easy 

I especially enjoyed the audio section. Despite knowing most of the stuff in that particular section, It was a really great refresher. Even movie making professionals should read this to get their feet back on the ground and get them in touch with why they might have wanted to make movies in the first place.

audio 

Bill Brown certainly has a way of making even the most complicated matters seam feasible. There’s something about this book that tugs at me to try new things. You can feel his enthusiasm jump out of the pages. This book is great for anyone of almost any age.

fun 

It will be on my bookshelf for the foreseeable future, awaiting any day I might need a refresher on the numerous subjects this book covers. Thanks Bill!

 

 

i'm the turtle

—get it here!—

Out Now! Raleigh Briggs’ (Make Your Place) New Zine!

Raleigh Briggs (Make Your Place) takes us on a mending journey through stocking your supplies, quick fixes, types of knots and stitches (like the classic punk whipstitch!), buttons,  mending seams, patching holes, darning holes, hemming, fixing zippers, waterproofing canvas, leather, and nylon, resources, and so much more! As always Raleigh’s style is simple, playful, friendly, fun, and builds your confidence. You can do it! Order here.

 

 

Building a Cookie Tin Banjo with How & Why!

I’m a banjo enthusiast. That’s something I’ve made peace with. But building a banjo? I never thought I’d be capable of managing a hacksaw while keeping my jugular intact, let alone make a scrappy instrument that sounds rad! While editing How & Why, our latest DIY guide for the next apocalypse, Matte Resist’s instructions for building musical instruments gave me the push to try it out myself—and build a fretless banjo from a cookie tin.

Cookies plus banjos. It wasn’t a hard sell for me.

I bought an old cookie tin with a 9” diameter for $1. It provides a sturdy base to hold the neck (along with the tension of the strings) while being a good carrier of sweet tunes. Bigger equals louder. Then I cut a slot for the neck with a box cutter (see below) on what would be at the bottom of the tin’s side—that way, I can still take off the lid when the banjo’s done!

Diagram 1

Want to learn to construct your own banjo f or just a few bucks? Pick up your own copy of How and Why!

Hey pals! Help us Publish the New Scam Anthology!

Dear awesome pals,

Always looking for new ways to keep print media alive, we at the Microcosm Publishing clubhouse have teamed up with the super sweet Kickstarter.com, a new fundraising website that allows artists and small companies to appeal for donations for upcoming projects. Recently profiled on Pitchfork Media and in the New York Times, Kickstarter works on a time-based system; you set the amount you want to raise for your project; family, friends, and fans can donate via the site; and if the amount isn’t raised by the specified date, no money is given over to the project. Rad.

Our Kickstarter project is publishing an anthology of the beloved long-running zine Scam which will cost over $11,000 to print. Scam is a hard look at finding a better way to live, about pushing for ultimate freedom, and discovering the alternative histories of America. As said A People’s History of America author Howard Zinn about Scam editor Erick Lyle, “Forget the statistics and pretentious analysis of urban society. Take a walk through the city with Erick Lyle and discover the reality of how people live in an American city.” The Scam anthology will collect Lyle’s long out-of-print work and give it a deserved platform for all to read.

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Everyone who donates something will receive a gift in return–with increasingly larger gifts as the donation amount goes up! (The gifts are listed below the press release.)

To read more about Microcosm’s Kickstarter campaign and watch a video describing the whole shebang, go to http://www.kickstarter.com/projects/897079804/scam-the-first-four-issues

For questions email joe@microcosmpublishing.com

Your friends,

Joe Biel, Jessie Duquette, Rio Safari, E. Chris Lynch, Steven Stoddard, Sparky Taylor, Matt Gauck, Adam Gnade, and Wade the Cat.

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Pledge $5 or more

You will receive updates about this project and we’ll give you a shout out for making it all happen on our website and in our newsletter.

Pledge $10 or more

In addition to the above, you will receive a copy of 13 Years of Goodluck.

Pledge $15 or more

In addition to the above, you will get a copy of the Scam Anthology and we’ll add your name to the Special Thanks section on the website and in our newsletter.

Pledge $25 or more

In addition to the above, you also get a copy of the Zine Yearbook #9

Pledge $30 or more

In addition to the above, you also get a copy of Xtra Tuf #5 by Moe Bowstern

Pledge $35 or more

In addition to the above, you also get a copy of Xerography Debt #25 and #26

Pledge $45 or more

In addition to the above, you also get a copy of Cantankerous Titles DVD

Pledge $50 or more

In addition to the above, you also get a copy of Sounds of Your Name by Nate Powell

Pledge $60 or more

In addition to the above, you also get a copy of Dreamwhip 14 by Bill Brown

Pledge $65 or more

In addition to the above, you also get a copy of Constant Rider by Kate Lopresti

Pledge $75 or more

In addition to the above, you also get a copy of the Best of Intentions by Keith Rosson

Pledge $85 or more

In addition to the above, you also get a copy of Things Are Meaning Less by Al Burian

Pledge $100 or more

In addition to the above, you also get an original edition $100 & T-shirt DVD

Pledge $200 or more

In addition to the above, you also get a six-month BFF subscription (we will send you all of our new published titles each month)

Pledge $300 or more

In addition to the above, you get all of those plus a copies of Brainfag Forever by Nate Beaty, Chainbreaker Bike Book, CIA Makes Science Fiction Unexciting #5, Distance Makes The Heart Grow Sick by Cristy Road, DIY Screenprinting by John Isaacson, Dwelling Portably ’80-89, I Hate This Part of Texas/Keep Loving, Keep Fighting, Invincible Summer Volumne I and II by Nicole Georges, Mostly True by Bill Daniel, My Brain Hurts Vol. 1 by Liz Baille, Rough Guide to Bicycle Maintenance, Snakepit 2007 by Ben Snakepit, Still We Ride DVD, Welcome to the Dahl House by Ken Dahl, X Ray Visions DVD (and soundtrack CD), and Zinester’s Guide to Portland

Pledge $400 or more

In addition to the above, you also get copies of The CIA Makes Science Fiction Unexciting #1-4, On Subbing by Dave Roche, Doris Anthology by Cindy Crabb, Hot Damn & Hell Yeah / The Dirty South Cookbook by Vanessa Doe and Ryan Splint, Best of Intentions: The Avow Anthology by Keith Rossen, Coffeeshop Crushes, Homeland Insecurity DVD, and a Microcosm T-shirt