Tagged Interview

Disabled Witchcraft Q&A

September 23, 2024

A conversation with author Kandi Zeller

What inspired you to write your book?

As a disabled person, I wanted to create a resource that could serve as an accessible, adaptable grimoire for other witchy spoonies, drawing from my own experiences. Disabled Witchcraft is really more about starting the conversation rather than being the end of it.

What was it like to publish with Microcosm?

It was a great experience. Everyone was communicative and committed to making the book the best it could be, and it’s always been a dream of mine to publish a book. I’m really honored to have had this opportunity to work with the team to create a resource so close to my heart.

What was the submission/query process like for you?

I really appreciated how detailed the submissions guidelines were. That helped me figure out how to create an outline from my idea and set a good foundation for the book.

What else have you written?

I have a weekly Substack newsletter called All The Threads, which is a place where I write about random, whimsical practices at the intersections of spirituality, creativity, and justice.

What are you currently reading?

A lot of graphic novels and zines. My TBR is always ridiculously long. I recently finished Fangs by Sarah Andersen and Kim Reaper: Grim Beginnings by Sarah Graley, and both were adorable.

What’s the best book you read in the last year?

So hard to choose, but my favorite was probably Batcat by Meggie Ramm. Such a sweet adventure story with queer overtones and just a dash of spooky vibes.

What’s next for you?

I’m working on a little horror poetry zine about my experience of growing up in a high-control religious environment, using the lens of monster myth. It’s just the kind of nerdiness I enjoy in my spare time!

Want to keep reading? Check out Disabled Witchcraft: 90 Rituals for Limited-Spoon Practitioners by Kandi Zeller, out now!

Interview with Bob Suren, author of Weird Music That Goes On Forever

March 11, 2024

Behind the scenes of Bob’s quest to bring two outsider genres together at last

Bob Suren’s new book, Weird Music That Goes On Forever: A Punk’s Guide to Loving Jazz is out now, with art by Brian Walsby and forewords from Lucky Lehrer and Paul Mahern. We chatted with Bob about the writing and publication of the book and the punk-to-jazz pipeline.

Microcosm Publishing: What inspired you to write your book?

Bob Suren: An unsatisfactory experience at a jazz club. When I first got into punk rock as a teenager, some more seasoned punks taught me about how punk rock works. They loaned me records and zines and made mix tapes and invited me to shows. The few jazz clubs I have been to have not been particularly welcoming. After a visit to some snobby club, I thought, jazz isn’t supposed to be like that. Really, nothing should be like that. But jazz was the original outsider music. Granted, I wasn’t kicking around when it was but it sure seems dusty and aloof now. I belong to several jazz groups online, to gather knowledge and read opinions, and there’s very little sense of humor in the groups. There is a lot of what the kids call “gatekeeping” and a lot of jazz experts flexing their credentials. Of course, there’s quite a bit of that now in punk, too, and I plead a little guilty. Anyhow, after being given the third-class treatment at a jazz club, I got the idea to write a book that compares jazz to punk and I started writing it the minute I got home. I sent Microcosm the first thousand words or so that very night.

MCP: What was it like to publish with Microcosm?

BS: This is my second book with Microcosm. I hear that for your seventh they give you a monogrammed smoking jacket. The first book I edited in person with Joe, side by side at his desk in Portland over five or six days. It was very easy and smooth and the finished product was not much different than the rough draft. For this book, I worked remotely by email with Olivia and there were a lot more things to debate and fix in the edit. I think we did three front to back edits over a period of maybe three months. I was starting to get sick of looking at the thing but Olivia made some good suggestions and she caught a few fact errors in her cross-research which made for a better book. And a much longer book. I used to be skeptical of the editing process but I now realize that a second set of eyes is a big help

MCP: What was the submission/query process like for you?

BS: Since I already had a relationship with Microcosm, it was very easy and informal. I sent Joe a three sentence pitch and the first thousand or so words as soon as I wrote them. Maybe like 10 minutes after I wrote them. Joe’s original response was that it might make a good zine. He told me to keep it around 36 pages. I didn’t think I could do the subject any justice at 36 pages so I said, “I’m just going to write it the way it needs to be and send it when I feel like it’s finished,” which is a very fucking jazz approach to writing. At one point, I thought it was going to top out short, at around 100 pages. But I keep finding great info. I couldn’t believe it when the final page count was 256.

MCP: What else have you written?

BS: In 2015 Microcosm published Crate Digger: An Obsession with Punk Records, my memoir of 30 years in punk rock as a fan, a collector, a band member, a record label, a store, a distro, a prolific t-shirt bootlegger, basset hound owner, and more.

MCP: What are you currently reading?

BS: I read a lot of nonfiction. I like pop science books like Mary Roach and Oliver Sacks. I love memoirs. Some of the best memoirs I have read were by Meat Loaf, Paul Stanley, Geezer Butler, John Stamos, Rob Lowe, Chrissie Hynde, Belinda Carslie, Tina Fey, Molly Shannon, and a not famous guy from Texas named David Crabb wrote wrote something very funny called Bad Kid. I have given two copies of Bad Kid as gifts. Check it out. I have been dipping into non-fiction, too. I think America’s best non-fiction writer is a guy from Portland named Willy Vlautin. I have read every Willy Vlautin book and I have written him fan mail, just like the fan mail I used to send Kevin Seconds. Except I didn’t ask Willy Vlautin for free stickers.

MCP: What’s the best book you read in the last year?

BS: Willy Vlautin’s latest book, The Night Always Comes. Also a novel called The Lemon, written by three people under the pseudonym S.E. Boyd.

MCP: What’s next for you?

BS: Maybe I will get another idea for a book and maybe I won’t. I have no idea. Once I get the inspiration, I work fast. Crate Digger was written over maybe six weeks. Weird Music took me maybe ten weeks to write. I just need a spark.

Check out Weird Music That Goes On Forever—not many books out there get a handwritten blurb from King Buzzo.

Bob Suren spent decades as a professional punk rocker, playing in bands, releasing records, running a store and a distribution company, writing for zines, shooting photos, and booking shows. Now he’s kind of into jazz. Read another interview with Bob on our blog.

Talking With Faith & How to Be Adultier

November 02, 2018 — by Hanna B.

This past summer, intern Hanna B. took an interest in Dr. Faith’s books, and asked our favorite foul-mouthed doc a few questions about her work. Then, check out an exclusive excerpt from Dr. Faith’s next book in stores this month: Unfuck Your Adulting.

Everybody struggles at points in their lives. It’s inevitable! Nothing is ever perfect, and there will be times when you will need someone to help you get through the inevitable bumps in the road.
And while often times good friends and a strong optimism can get you through most things, sometimes more professional help is warranted. However, this can be a huge struggle, if not impossible for many, and so we can offer you the next-best-thing: Dr. Faith G. Harper.

Dr. Faith G Harper is a hilarious women with a PhD, who has written multiple zines and books for Microcosm, all about dealing with issues in our own lives, from Unfuck your Brain to her “Five Minute Therapy” zines, she gives you the honest facts on how to deal with whatever you’re dealing with, how it affects your body/brain, and even gives you the tough-love you didn’t know you needed. Her next book, Unfuck Your Adulting, hits stores this month. Filled with humor, science, and damn good advice her writing has the ability to enact positive change within each of us.

I recently had the chance to connect with Dr. Faith and ask her some questions about her books and zines, her practice, and her writing! For those of you who already know Dr. Faith and are dying to hear more or for those who are just interested in this kick-ass women, here are some words of wisdom from the woman herself.

What drove you to initially take your knowledge/practice and develop them into books?
Faith: Frustration! I write the books I want to read. They didn’t exist and I could bitch about it or write them myself! My first book with Microcosm “Unfuck Your Brain” started with the five minutes of brain science psycho-ed that all my clients get at some point that I had entitled “Brains are Assholes.”

What effect do you see from your writing that differs from your in-person practice?
The most obvious answer is that I get to connect with people in a different way…and connect with people I wouldn’t have come in contact with otherwise, just sitting in my office seeing clients who live in Texas. The more interesting answer that is, in terms of the meta-message of my books, there isn’t much difference. My private practice clients who have read my books say they sound EXACTLY like in-session me. I don’t write any differently from how I talk. I’m not trying to sound hip when I write (because trust, I figured out by age 11 that I am deeply uncool and have made my peace with it). If I say “Dude, that’s fucked up” in my writing, those same words in that same order probably came out of mouth at least three times in the past week with clients. No-one needs me to put on my white coat of expert doctorness, they need me to be authentic and present with them in their experience. The expertise may be the backseat navigator, but they aren’t in charge.

Which of your zines/books have you enjoyed writing the most, and why?
I don’t like rehashing topics that have already been covered. In fact, there are plenty of topics that have been suggested in which my response has been “so and so already wrote that book, wrote it better than I ever could, and I have nothing to add.” So any writing (and research process) in which I end up conceptualizing something in a new way ends up being the most enjoyable (even if it’s harder work in the process). For example, in the Coping Skills book I ended up creating a new category system for types of coping skills. It gave me structure for the book, and I think lends a better understanding to how coping skills can be operationalized. I want mental health strategies to just fucking WORK better. So when I think I hit on something that will make that happen I get all the excites.
(FWIW, I am working on something now, where I ended up changing the model of a psychological concept that has never been fucked with in the past. I may end up in academic purgatory, but I was really struggling with making it more accessible, and the only way I could figure out how to make it work was to add to it!)

What do you hope to do in the future with your writing?
World domination!
Or better yet, creating equal access for mental and emotional health for folx. It shouldn’t be the domain of the elite. If we reduce shame and stigma, and make quality tools that support people’s recovery journeys available for the cost of a paper and cardboard zine we’ve done good in the world.

Want to know more about Dr. Faith?

Check out her books here, and learn a thing or two about being a decent grown-up with this excerpt from Unfuck Your Adulting : Give Yourself Permission, Carry Your Own Baggage, Don’t Be a Dick, Make Decisions, & Other Life Skills:

How To Be An Adultier Adult:

#1: DON’T BE A DICK

Growing up, my kids had two household rules: “Don’t be a dick” and “If it’s not yours, don’t touch it.”

(And honestly the second rule is really covered by the first, but a couple people I gave birth to had some struggles with the “stop fucking with other
people’s stuff” portion of the program, so we had Rule Two. But I digress.)

This rule was so well known that everyone who was invested in the welfare of my kids (teachers, counselors, etc.) would invoke it: “Well, are you being a dick right now?”

Thank you, Wil Wheaton, for adding “Don’t be a dick” to our common vernacular. Because, seriously, if you are only going to have one life rule, have it be this one. You don’t need an explanation on this one. You know when you are being a dick. Don’t.

When this now-book was first released as a zine, I wondered if “Don’t be a dick” would resonate and make sense with the people who read it. Or would there be a bunch of “Dude, what the fuck do you mean by that?” going on. Not once has that happened. This is a rule that everyone totally intuits immediately. We know
what dickitude looks like in all its shapes and forms. If we call it out in ourselves and refuse to tolerate it in others, we are already acting way more grown than most motherfuckers out there.

#2: BE A TINY BIT NICER THAN YOU HAVE TO BE

OK, you aren’t being a dick. Badass. Next step? Push yourself to put a little more good into the world than you are required to by the situation present. Say please and thank you. Use markers of respect (ma’am, sir, or whatever is appropriate). Be kind. Tip extra. Hold the door open. Smile sympathetically at the parent with the screaming child. Be engaged, present, and just a little bit more awesome.

Recently, someone kept breaking into our neighborhood mailboxes (because some people haven’t read Rule Number One). This meant the mailman couldn’t leave our mail and it had to be brought back to the post office for pickup. My Boo saw his truck one day and asked him if we could get the mail from him and skip the drive. Mailman said, “I’m totally not supposed to do that, but for you I will. Your wife is always soooo nice to me.”

All I had ever done was to smile and wave when I saw the postman in the neighborhood (you know, like Mr. Rogers taught me to), thank him when he brought me packages, and if I saw him in front of the house, walk out to his truck so he didn’t have to get out. This is small, small stuff. And it’s stuff that most people just
don’t do anymore. We aren’t talking about working in a soup kitchen every Saturday (though that is pretty badass, too). We are just talking about taking the time to recognize and respect other human beings on the planet.

Think about all the times someone being nice to you made your day bearable. Things that were pretty small for them were huge for you in that moment. We can put the same goodwill out into the world. Hell, even if it doesn’t work you totally earn serious karmic power-ups for trying harder than you have to.

This interview was conducted and written by summer intern Hanna B. and the excerpt taken from chapters one and two of Unfuck Your Adulting: Give Yourself Permission, Carry Your Own Baggage, Don’t Be a Dick, Make Decisions, & Other Life Skills by Dr. Faith G. Harper

A Chat with Julia Alekseyeva

September 12, 2018 — by Cyn

We reached out to Soviet Daughter creator Julia Alekseyeva to chat about the amazing graphic novel’s reception, praise, creation, and purpose.
Check it out below, grab a copy of the book, or follow Julia online to learn more about her work.

**Congrats on winning the 2017 Virginia Library Association’s Diversity in Graphic Novels award! Were you surprised by the announcement?**
I was very surprised, and even more pleased! It has been a bit difficult getting standard comic committees and authorities interested in the book and story. Readers have responded very positively, but independently published books seem to have a severe handicap in the comics world. So I was pretty shocked, to say the least! I’m especially thrilled that the award came from the Virginia Library Association, and that it highlights diversity. I’m an educator myself and created the book for the purpose of education on a rarely-understood topic: daily life and politics in the USSR. I also wanted to highlight the experiences of a figure that was a minority in her own community, even if she probably wouldn’t be considered one now in the US.

**We’ve heard a few reviews of Soviet Daughter where they raved about how badass a woman Lola was, and it was inspiring to hear. How do you feel about the praise the books been getting? Purely based on my curiosity, have you heard any particularly great comments or feedback that really sticks in your mind? **
I’m thrilled about the praise the book is getting! I’m so glad it’s connecting with readers– both those who came from former Soviet states, and other people in the US and abroad. I received some great feedback from readers in Ukraine, actually, and really hope that the book ends up getting published there one day. I think many people assume that citizens of former Soviet states may not like the book because it showcases a history that comes with extremely heavy baggage and trauma. However, I have not actually had this criticism happen (which is fantastic)– former Soviets seem to connect with how ambiguously the book treats the Soviet government. It’s definitely a gray area, and in my experience, readers from places like Ukraine, Bulgaria, or Kazakhstan read the book as a testament to the complexity of Soviet nostalgia. It isn’t necessarily a nostalgia that wants to restore the past (Svetlana Boym called this ‘Restorative Nostalgia’) but one that, hopefully, reflects on the past without wanting to abandon it wholesale (‘Reflective Nostalgia’). I love getting feedback that the book ‘gets history right,’ or at least the feeling of living in a very particular moment, in a very particular place. And that’s high praise to me.

**What kind of people do you think seem to be gravitating towards Soviet Daughter? What do you think it is about your book, and Lola’s story, that has resonated so much with readers?**
I definitely feel like two types of generations gravitate towards the book: Millennials/’Digital Natives’ (those under 38) and an older generation who may be grandparents themselves (‘Silent Generation’ and older). Unsurprisingly I think the book is more appealing for people interested in learning more about leftism throughout history. It makes sense that the reader demographic lines up pretty well with the demographics of the Democratic Socialists of America! (i.e. younger generations and much older generations, with not a lot in between). I think this has less to do with the content of the book and more to do with the types of books 38-58 year olds are likely to consume. This may have to do with experiences of the Cold War and an immediate gut reaction against anything with ‘Soviet’ in the title. In my experience, Millennials and older folks take a lot less convincing than the demographic in the middle! I think the story resonates with readers because it really is a personal account, rather than any objective idea of history. I didn’t fact check any of the statements Lola made because they are her story and her truth. She was writing this memoir in secret and had no reason to lie since she knew she’d be long gone by the time we read it. It is a subjective history and a visceral experience of daily life.

**Creating a hand-painted graphic novel is a big, daunting project! How did you stay motivated in the long process?**
Oh, boy! Honestly, I have no idea. I’ve made quite a few shorter pieces since the book was published, but haven’t had the urge to do something quite like this again. I’m not sure how I was able to be so motivated! I was very organized and set all of these nearly impossible-to-meet deadlines, and actually made all of them, with significant difficulty. I think I was able to stay disciplined and motivated because I knew I would not be able to support myself financially for very long (I lived on savings for one year). More importantly, I just wanted the story out there. I thought there was something in the air that made the word ‘socialism’ appealing, for the first time in my life in the US. This was 4 years before Bernie Sanders became a household name and the most popular politician in the US! I thought if there ever was a time for the story to reach an audience, it was now (or rather, 2013-2017), and I think I was right! I also had this deep, psychological urge to pay homage to my great-grandmother. Drawing/writing is somewhat therapeutic, as it was a particularly intense way of expressing love, devotion, and respect.

**Now that you’re looking back on it from some distance, What’s your favorite part of the book? Is there anything you wish you’d done differently?**
Hmm! I’m not sure I would’ve done anything differently in terms of the final product. There was quite a bit of trial and error as I went about my drawing and editing process, and while it would have saved me a LOT of time and art supplies to have already known my strategy on Day 1, it was also a great learning experience. So, all those accidentally spilled containers of India Ink and stained wooden floors and broken nibs and coffee-spilled laptops are probably an important part of the process, and I wouldn’t have given up that craziness for anything. I do think the book would be a tad better if the format were larger; maybe, just maybe, there can be a larger reprint of the book that keeps the same dimensions? In terms of my favorite part of the book: it’s hard to say, but probably my favorite parts are the more positive scenes from the early 1930s. Lola’s life pre-WWII is so fascinating and fun. It reminds me so much of my own scene in Brooklyn, weirdly enough. I know the comparison is a rather crazy one, but there’s actually quite a lot in common in terms of the combination of radical politics/socialist organization and fun hang-outs or party scenes. Lola was interested in politics, art, film, theater, dance, music. I like to think that if she were a Millennial now, she’d live in my neighborhood and dance up a storm in Crown Heights and Bed-Stuy!

(Above) The original Kickstarter video for Soviet Daughter.