This week on the People’s Guide to Publishing podcast, Joe and Elly entertain a reader question about the economic theories behind how we run Microcosm. Neither one of us is an economist, though we do sometimes play one on the internet. So this question kind of caught us off guard. But we have fun dredging the depths of our brains for the very serious reading of our youths that made a lasting impression.
This week on the People’s Guide to Publishing podcast, Joe and Elly are joined by Ariel Gore, whose brand-new book The Wayward Writer is a stellar practical and personal guide for authors finding their own path to publication.
We talked about the question of platform—specifically the idea that authors need to bring a ready-made audience along with their manuscript. It’s not so straightforward, and have fun getting into the weeds about that.
Microcosm Publishing is looking for an early- to mid-career book editor who is excited to work with Microcosm on all stages of editing. If you love the puzzle-solving of developmental editing, relish the challenge of turning a disorganized manuscript into a book that can make a splash and save lives, and want to learn and grow along with us, please consider applying.
Microcosm is a reader-oriented publisher, primarily working with non-literary, nonfiction manuscripts by first-time authors. Our goal is never to craft a beautiful turn of phrase or achieve grammatical perfection, but rather to offer readers valuable, practical tools to change their life and world, while preserving the author’s unique voice and always having the most fun. You can learn more about our editorial program and processes in our department documentation.
Hours: This is a full-time, 40 hour per week position.
Location: A desk is available in our Portland office if desired, but this position can be fully remote.
Experience: For this position, we are only considering candidates with experience editing books for publication. Other types of editing and coaching skills are valuable, but books require a specific skill set and that’s what we need this time around. The ideal candidate would come to us with one to four years of experience (or equivalent, time-wise—we know life isn’t always so straightforward).
Core job duties:
Requirements:
Preferences/level-ups:
Pay and benefits
Starting wage is $18-$22 per hour, and goes up $1/hour after 90 day trial period. Starting pay will depend on level of responsibility in previous editorial work, ability to work independently, and management/leadership capabilities.
To apply:
Application deadline: November 15, 2022
This week on the People’s Guide to Publishing podcast, Joe and Elly finally got together in the warehouse for the first time since Microcosm was named Publisher’s Weekly’s fastest growing publisher for 2022! It’s been a few months since the rankings came out, and we’re still pretty shocked. We talk about what all that growth means, what it’s been like, whether or not we have any plans to slow down, and how yeah, we’re a little tired!
This week on the People’s Guide to Publishing podcast, Joe and Elly answer a reader question: do book publishers need to be concerned about liability if they publish books containing scientifically inaccurate information? We’re not sure if the question-asker is considering publishing an anti-vaxx book, suing the publisher of one, or just noodling about fact checking in a more general way, but we do our best to give some practical perspectives.
Back in August, the best show in publishing was the trial in which publishing behemoth Penguin Random House tried to make the case to the US Department of Justice that buying publishing mini-behemoth Simon & Schuster wouldn’t create an uncompetitive atmosphere for authors. We’ve covered it a bit in this podcast, and this week on the People’s Guide to Publishing podcast, we offer one last episode unpacking a funny statement that came out of it: the behemoths’ assertion that their profit & loss statements are meaningless and they actually have no idea how to predict if a book will be profitable. Spoiler: We kinda think they’re stretching the truth. Watch or listen for insights into what (if anything) this means for your own publishing….
This week on the People’s Guide to Publishing podcast, Joe and Elly answer a reader question: someone runs a small press and wants to know how they can become an imprint of a larger press. We speak about this from experience: in 2014, Elly’s very tiny press merged with Microcosm, and we talked about what worked, what didn’t, and how it’s going now.
On this week’s People’s Guide to Publishing podcast, Joe and Elly answer a reader question! The question-asker edited an anthology, with all the authors donating their work and all proceeds going to a nonprofit cause. One author decided that the way the contract handled rights wasn’t fair, and now the publisher isn’t sure they did the right thing. We get into contracts, rights, and how to handle authors who sound off about you on social media. Whew, that’s a lot of ground in under 12 minutes.
This week on the People’s Guide to Publishing podcast, Joe and Elly tackle a question we get asked a lot—do you need to trademark your book’s contents or title, or your pen name? Joe lays down some intellectual property and copyright lore, and the answers might surprise you.
This week on the People’s Guide to Publishing podcast, Joe and Elly tackle a bit of viral misinformation that’s making the rounds: The myth that more than half of new books by major publishers sell less than a dozen copies a year. (The first comment on this newsletter, from someone at NPD Bookscan laying out actual stats, is our primary source.) Don’t get us wrong, the numbers for most books put out by the biggest publishers are astonishingly bleak. But not that astonishingly bleak.