How Should Publishers Handle Submissions? (A People’s Guide to Publishing)

How do authors find a publisher? (Or, how can publishers find authors?) How do publishers choose which books to acquire? What does the development and contract negotiation process look like? How can the publishing process be re-shaped to be more inclusive for diversity, equity, and inclusion? What are the best practices? Why do they work?

You’ve got questions, we’ve got answers!

Get the People’s Guide to Publishing here, and the workbook here!
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What are the jobs of a publisher? (A People’s Guide to Publishing)

When we tell strangers what we do, they either bemoan the death of the publishing industry or assume that we sit around and read books all day. So this week on the pod, we take a look at what a publisher actually does and the outcome of all of this work!

Get the People’s Guide to Publishing here, and the workbook here!
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How Do I Know if My Book is “Good?” (A People’s Guide to Publishing)

Taste is subjective and arbitrary, but still, everyone carries a certain amount of imposter syndrome, wondering if their book if any good. So this week on the pod, we take a look at what makes a book good, successful, and resonating with readers!

Get the People’s Guide to Publishing here, and the workbook here!
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An Interview with Gretchen Treu, owner of A Room of One’s Own Bookstore in Madison, WI.

Welcome to the next installment of the Bookstore Solidarity Project! Every month, we’ll be highlighting indie bookstore owners and booksellers across the country.

This month, we got to chat with Gretchen Treu, owner and manager of A Room of One’s Own Bookstore in Madison. Named after the iconic Virginia Woolf essay, Room is a feminist, queer- and trans-friendly little store. (Room was also featured in Danny Caine’s How to Protect Bookstores and Why!)


Your name and pronouns?
Gretchen Treu (they/them)

Tell us a little bit about the store and your community!
Room was founded in 1975 as a scrappy little feminist bookstore, and has grown over the years into Madison’s biggest independent bookstore. We are an all-around indie with a strong focus on LGBTQIA, anti-racism, abolitionist, feminist, progressive voices in all genres. We’re a dog-friendly shop (and sometimes shop dogs Clio and Janeway come to work with us!). We are known for our community work and activism (we initiated Bookstores Against Borders in 2019, raising over $100K with the help of other indie bookstores and readers to benefit RAICES, an immigrant rights org that does important work particularly in Texas). We have a quirky and no-holds-barred social media brand and are particularly known for our book flowcharts and other queer social media vibes. Wes Lukes and I bought the store in 2018 from longtime owners/founder Sandi Torkildson and Nancy Geary, and reinvigorated its radical commitments just before the onset of the pandemic. We have a beautiful new space (we were displaced from downtown Madison due to a gentrifying high-rise that demolished our former block). We’re in the beautiful, low-key Atwood neighborhood on Madison’s East side, in an old barrel-roofed building, surrounded by tons of families and progressive community members and dozens of likeminded local small businesses, which is a perfect location for us.


What got you into bookselling?
I loved books from a young age and just never let go.

What’s something about your store that you think will surprise people?
Our store’s floors have a very slight slope, because over a hundred years ago when it was built, the building was home to a car repair place, (there’s a pulley from the Model-T Ford system that’s hanging above the original entryway near our checkout counter). The floors sloped so that oil and water and whatever other fluids would flow out the building into the street to be washed into the sewer. When we moved here and the builders retrofitted our old bookshelves into the space there was much gnashing of teeth and some very creative solutionmaking to accommodate this reality.

What are some of you favorite ways your community supports your store?
I love when customers get into a particular staff person’s recommendations, or tell us about how a book we sold them was the perfect choice for what they were looking for. I think of books as an elaborate and uniquely human way to communicate expressively and asynchronously, we’re all just yelling into the void. You know. More or less quietly. It’s magical to feel an off-the-beaten-path real connection with a community member. I also just love hearing people come into the store and exclaim over the huge breadth of queer books and sidelines we have. Being a destination for queer people, especially trans and non-binary people who don’t always feel directly welcomed in queer spaces (particularly legacy feminist/lesbian ones like Room historically was) is what we’re here for. Those community-building connections are huge.

What are two books you can’t wait for people to read, or your current favorite handsells?
I can’t wait to sell The Woods All Black by Lee Mandelo–it’s the historical fiction T4T monsterfucking horror novella of my dreams. I’m also very excited about Mercury Stardust’s Safe and Sound book of home repair for renters–I think it’s such a kind and helpful book that serves a niche nobody else is paying attention to.

How can customers who aren’t local shop your shelves?
They can order on our website at roomofonesown.com, or email us for recommendations at room.bookstore@gmail.com

Be sure to follow room on Twitter, Facebook, and Instagram (where you might recognize some of their very clever book recommendation graphics).

Check out our other Bookstore Solidarity Project posts here!

Who is the book’s client? (A People’s Guide to Publishing)

When you are working on someone else’s book, there is frequent confusion about who has the final say. Many people consider the author to be the final authority on decisions. Others look to major account buyers who essentially gatekeep the book within the industry. Yet others would look to readers themselves. This week on the pod, Joe and Elly discuss these issues and how to navigate conflict when developing a book or differences of opinion emerge!

Get the People’s Guide to Publishing here, and the workbook here!
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How do you make a book’s sales last forever? (A People’s Guide to Publishing)

In traditional publishing, sales are thought of as a steep upward curve, a peak, falling action, and a steady plateau, moving slowly downward towards the book’s “resolution” and “conclusion.” Jokes aside, this week Joe and Elly talk about how you can break this cycle and make book sales last forever.

Get the People’s Guide to Publishing here, and the workbook here!
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Call for Submissions – Queer Halloween!

We’re seeking your queer Halloween feminist bicycle science fiction and fantasy stories for the 13th anthology in the Bikes in Space series of books, guest edited by Summer Jewel Keown!

Please submit your original queer Halloween short fiction (in written or comics form) about bicycling from a feminist perspective. We’re looking for stories that give us a shiver or make us leave the hallway light on at night. Raise our hair and make our spines tingle. We’ll also consider Halloween-themed stories that aren’t as frightful, but they should still be infused with all things spooky season.

Stories should be written by authors who consider yourself queer (in whatever way you identify), and should feature Halloween and/or otherworldly elements, and queer characters/themes, as well as feminism. All four elements should be intrinsic to the narrative:

  1. Halloween (or stories sufficiently scary or thematic enough to be read around Halloween)
  2. Queer
  3. Feminism (it is sufficient to simply not include sexist themes or tropes)
  4. Bicycles

The genre can be anything fantastical—ghost stories, horror, hard sci-fi, comedic fantasy, slipstream, or anything in that constellation—despite the series title, stories need not be be set in space. No fanfic, poetry, nonfiction, or erotica for this series, please. Stories should not include extreme body horror or graphic violence.

For this volume of the anthology, we ask that all authors be queer/part of the queer/LGBTQIA+ community, in some way, shape or form. We aren’t the queer police (which sounds both fabulous and like a bad idea) and if you identify as queer/LGBTQIA+, that’s good enough for us.

We welcome submissions from marginalized authors and first-time authors.

Stories are submitted in consideration for inclusion in the anthology. Submission is not a guarantee that any given story will be accepted or included. All stories are selected by the editors. 

Word count: 500 – 6,000 words

Format: MS Word or PDF. Comics submissions of up to 6 pages can be submitted in thumbnails. Contact us if you are unable to submit in one of these formats.

Payment: A portion of profits after expenses from the Kickstarter project used to fund this book is split between contributors, with a guaranteed minimum of $50 each, plus copies of the book.

Deadline: April 15, 2024

Submit via Google Form here: https://forms.gle/41PxyvJUtiLR1kqb7 

Questions? Email summer@microcosmpublishing.com. Please do not email your submissions. We don’t want any getting lost in spam!

Haven’t checked out the other Bikes in Space books yet? Take a look at them here!

How to Love Your Queer Kid, an interview with Marc Campbell (A People’s Guide to Publishing)

Marc Campbell, a Black, gay therapist, works with queer kids and parents to create loving and accepting homes where people can safely be themselves and parents can understand their children. This week on the pod, we welcome him as a special guest to talk about his brand new book, I Love My Queer Kid!

Get the People’s Guide to Publishing here, and the workbook here!
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Bookstore Solidarity Project: Copper Dog Books of MA

Copper Dog Books didn’t set out to be controversial; just a lovable weird bird next door to spooky Salem. However, some of their customers don’t understand the curatorial powers of the bookstore and attempted to overwrite values. This week, in the latest installment of our monthly Bookstore Solidarity Project, we feature another store who carefully selects how to tell their own story.

To see Meg’s other interview for the Bookstore Solidarity Project, click here!

Get the People’s Guide to Publishing here, and the workbook here!
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How do you manage book inventory and reprints? (A People’s Guide to Publishing)


Too much or too little inventory is almost always a publisher’s biggest problem. These are the two biggest problems facing the industry. So this week on the pod, we cast some ideas for how to wrap your head around these issues, how to manage your inventory, and how to start small and grow incrementally.


Get the People’s Guide to Publishing here, and the workbook here!
Want to stay up to date on new podcast episodes and happenings at Microcosm? Subscribe to our newsletter!