Our New Office Digs

December was a busy month for us! Between trips to Chicago, Oklahoma City, Houston, and Fort Worth, we’ve also been moving into our new location! Our store/office/warehouse/life/nucleus of activity is now at 2752 N Williams Ave. Portland, OR 97227!

 

 

 

 

 

 

 

 

New Newness News!

books!

Just so you know, we’ve got a lot of super great new titles! Who’s excited about Railroad Semantics #2!!?

RRS#2

If not that, how bout the new edition of Mostly True!

MostlyTrue

Raleigh Briggs even released her sequel to Make Your Place, the much-anticipated Make It Last!

MakeItLast

Beyond The Music is Joe Biel’s new book, a really great one for anyone interested in the Punk “Scene” or the DIY ethics it brings with it.

BeyondTheMusic

And of course, we can’t forget about Everyday Bicycling, Elly Blue’s know-it-all book about cycling in any and every situation, a super great guide to get someone who might just be getting into bicycling, or even the bicycling fanatics! 🙂

EverydayBicycling

Holy Cow! As I was typing this we just got another one in! The People’s Apocalypse! This one looks super interesting!

PeoplesApocalypse

If your into that whole Thanksgiving thing, these are all things to be thankful for!
If your into that whole Christmas thing, any one of these would make great gifts!
Or, you could gift one to someone on Nov. 13th for World Kindness Day.
You’ll also have to stock up on books to read for Stay At Home Because You Are Well Day at the end of the month. Book Lover’s Day doesn’t have to end on Nov. 4th, it can last all year!

I can’t even keep up around here. I’m going to have to start reading faster…

-Jeff

Microcosm Publishing, Microcosm Distribution, and Pioneers Press…

 

Hey Folks,

Although some of you may not know, Microcosm Publishing was effectively split into two separate companies on August 1, 2012. This was done for a number of personal, financial, and geographic reasons, and led to the formation of Microcosm Distribution (which has since become Pioneers Press).

 

Unfortunately, splitting a company in two that has been in existence for over 15 years comes with an endless list of complications. Like a lot of the publishing world, and the world at large, this happened during times that were extremely hard for us. Prior to the split, Microcosm Publishing had amassed nearly $37,000 in debt—an amount that seemed nearly insurmountable for those involved.

 

As part of the agreement, which was drafted with the input of both parties and executed prior to the split, we agreed to each keep half of the organization’s property and split the debt 50/50. The settling of the debt would be done by Microcosm Distribution making monthly payments to Microcosm Publishing on their half of the debt until it was resolved.

 

However, despite the agreement, these payments were never made. Microcosm Distribution claimed that they are not responsible for any of the debt amassed while they were a part of the company and its management. We understand that it’s difficult to even survive in the publishing world in its current state, but that does not justify leaving one half of the company with the entirety of the debt.

 

After 15 months Microcosm Publishing has still not received any of the agreed upon contributions. Thankfully, through new endeavors and pinching paychecks, we’ve managed to scrape together the money to stay in business. At this point, we feel we have no chance at making progress with this issue without the help of professional counsel, and have filed suit against Pioneers Press as a last resort attempt at receiving their fair share of the debt payments.

 

It’s an unfortunate, and wholly foreign to us, way to go about this, but we can find no other solution. We are simply asking that the signed agreement be honored.

 

Although personal problems and past relationships can cause issues within business, Microcosm Publishing is an active and growing publisher with a small, full-time staff who are dedicated to creating the books we want to see in the world. And we would love to continue doing just that.

 

<3

 

Tim Wheeler

Microcosm Publishing

 

Behind a Wall of Books

Anybody ever watch that old movie Night Train to Munich? For some reason every time I get on a tr Alt textain I expect spies and espionage. The night train from Portland to San Francisco, lovingly called, “The Coast Starlight” has a time schedule based on approximations at best, and aside from the uncouth and suggestive remarks from the café car over the loudspeaker, little to no excitement is what you can expect. But for anyone tenured to the ways of rail transit, I’m sure you could amalgamate a fine story, riddled with excitement from all your Amtrak adventures.

Last week I journeyed by way of the “Starlight” to the Bay area for the great Alternative Press Expo (APE). I was to be joined by Corbett Redford of the nefarious satirical duo, Bobby Joe Ebola and the Children MacNugget’s, for a two day tabeling event behind a wall of Microcosm! The event took place at the Concourse; this place was, to my guess about the size of two football fields, that’s approximately 116,000 square feet of comics, books, fans, and various collected art from all facets and corners of the imagination.

 

I arrived a few days early to pound the sidewalks and disseminate the volumes of Microcosm’s gamut to the eager public. Most of this I accomplished on foot, however my friend DJ Freshstep occasioned to scoot me about the city on the back of his Vespa. This was the one, quasi euro transit attack I managed.

 

Corbett, harnessing his impressive clout, succeeded in shepherding me, during one of my afternoons, though the  backdoors of some of the great legendary record and comic shops of the city. The two Amoeba’s,  Rasputin, and 1-2-3-4  Go, gave us the royal welcome and what seemed like every comic shop in the city was well enthused to shake the hand of an affiliate of Henry & Glenn. 

  Last gasp

A who’s who mixer at the opulent office of Last Gasp prefaced the two days of the APE. If you’ve ever wondered what it’d be like to walk around in a Robert Crumb drawing, while glancing through old photographs of William Burroughs gripping his iconic pistol, Last Gasp wont disappoint. It was like a museum but more along the lines of the home of your parent’s awesome hippy friends. Think of the Barthes collection, but superimpose all the bizarreness of the 1960’s drug culture.

  Alt text

The two days of the APE, Corbett and I huddled, side-by-side behind the great wall of Microcosm titles I created for our display. Corbett was mostly occupied preaching the good word from his newly debuted Microcosm release(s), The Bobby Joe Ebola Song Book, and Meal Deal With the Devil; Signatures were given and reluctantly received! No time to sit and a near 19 hours of collected alternative press left us dizzy and hyper-conscious of the mistake of building a wall, behind which there can be no sitting, less you leave the books to speak for themselves. 

 

APE, see you next year!

Analog Media Party

Alt textWe had a really stellar first meeting for the Analog Media Party this month after Wordstock!

It’s a publisher’s meetup group with the goals of forming both a regional publisher’s association and organizing an annual bookselling event!

 
We identified some things we are interested in last time: networking, brainstorming, cover review, helping each other grow, developing the business end, meeting each other, venting/kveching (a new word for me), creating a supported industry, sharing resources, and eventually developing some clout.
We envision a one day bookselling event partnered with a one day trade show with programming for publishers in Dec 2014

We’ll be having our second meeting at the Lucky Lab on 9th/Hawthorne on Nov 3 at 4 PM.

 

 

While other local festivals are extreme micro or focus on author services and promising big dreams with big publishers, the Analog Media Party is Portland’s newest mid-sized publishing festival focused on programming and networking for publishers with a bookfair for the public to sell your books!

Why Not? Minot Festival

Why Not? Festival 2011 from Cantankerous Titles on Vimeo.

There aren’t many events that we go to every single year for Microcosm, so when we make repeated appearances it’s either a matter of three different things: Getting to catch up with very special friends who live there, consistently awesome support for what we are doing, or a truly amazing and inspiring event. Somehow Why Not? Minot Fest offers all three.

You wouldn’t exactly think of Minot as a cultural epicenter or even associate it with art, necessarily. Which is why it surprised me so much when I made my first trip back in 2006, after seven years away, to discover a vibrant music scene at The Red Carpet, a DIY venue on the outskirts of the city. 

I was confused for Joshua Ploeg, who I was on tour with, and had apparently delivered a memorable performance in 1994. We sold literally every piece of merch we had with us that night, which admittedly was only a few boxes, as we were traveling on Amtrak.

You see, Minot knows that when you support the people on tour they will come back. And they’ve also got heart. Talking on the phone with Why Not? Fest co-founder Billy Luetzen, he expressed how disillusioned he was going on tour with his band The Father, Son, and Holy Smokes where the shows were not always well organized or promoted at all. It gave him further resolve to do the best job possible in Minot.

And the best job possible became the order of the city. 

So when I got the phone call that our presence was requested at the first Why Not? Fest in 2010, I felt like I owed it to Minot. So we booked our tour around it and I’m fairly sure we left  as much merch in Minot as we did on the rest of the tour combined. 

Not content to rest on their laurels, the scene got together and created a new DIY venue, after the collapse of The Red Carpet, called Pangea House. It was the hard work of Luetzen, his buddies Jake, Daniel, Jazmine Wolfe, and no less than sixteen people named Chris. Whenever any of them are asked who is responsible for doing the work, they will all endlessly point to each other in the most charming manner. 

And not content to limit themselves to music, Why Not? Fest has featured belly dancing, improv comedy, theatre, films, an old amusement park, a dunk tank, a short shorts competition (for men), readings, a worst mac and cheese cookoff, and most notably, after the Souris River flooded in 2011, destroying much of Minot and straining an already tight housing market, the fest organized attendees to do free cleanup of people’s homes. 

And if you’re thinking, “All of this sounds great and all but is the music any good?” Well, that’s the best part. I have since come to believe The Future of Music Coalition that local and regional scenes operate best when left alone from the trappings of the music industry or other barometers of commercial “success.” Bands like Mr Dad, Chapstick, Victor Shores, Kids with Beards, Acoustic Sparkle Additive, Idaho Green, and Johnny Unicorn are all innovative songwriters and performers in a way that is captivating for even myself, who is absolutely burnt out after going to shows for twenty years. The fact that you’ve likely never heard of any of these bands—even if you’re a devout music fan—and that most of them don’t even have a website is, I believe, the reason they have been so successful at being great bands and creating a great festival. And the reason why we’ll be there every year that Why Not? Fest continues to happen!

Dinner & Bikes Tour Reflections

DINNER + BIKES '011 from Cantankerous Titles on Vimeo.

It’s been over a month since we returned home from the now-annual Dinner & Bikes Tour but it remains the kind of activism that I think about daily.

For those unfamiliar, it involves Elly Blue, Joshua Ploeg, and I (joined this year by roadie Aaron Cynic) renting a car for a month, hitting up a different region of the U.S., and leaving as much food and bike love (and Microcosm goodies) in our wake as we can.

Joshua and I had toured together for four years before the three of us founded Dinner + Bikes, but the concepts used to be a bit unclear. What was our tour about? Who were we? What were we trying to accomplish? The basic journalistic questions were increasingly hard to decipher from our posters and most people seemed to show up not knowing what to expect.

So we talked it over, tightened it up, and created a platform. Joshua would serve a seven course meal that he’d cook onsite from ingredients purchased locally. Elly would present her current fascinations on Bikenomics, bicycle equity (Bikequity?), and “The Gender Gap in Bicycling.” I’d show various curations of short films I’d made about bicycling, bicycle activism, and bicycle culture, most recently showing an excerpt of Aftermass.

But secretly, the event has nothing to do with us. We are only necessary to bring people together and for the first five minutes or so to get people talking, though arguably, Joshua’s activities in the hours before the event makes everyone much happier come dinner time. 

So we drive around the country for a month so people who live in the same town as each other have a means and a reason to come together, meet each other, and talk about improving their city, no matter where they are in the continuum.

Not to toot our own horn, but our events attract people from all across the spectrum, from bloggers and journalists to city planners to activists to city staff to bike project volunteers to ride organizers to elected officials to roadies and racers to bike clubs to advocacy organizations with proper offices or even those who volunteer from their home to make their city a more pleasant place to ride a bicycle. In most cases, if these people have ever met before, it’s rarely been on equal footing or they haven’t had the opportunity to have a proper sit down conversation. And the results have blown my mind.

We’ve been able to play matchmaker to numerous new couples who either met at our events, went on their first date to see us, or were able to find romance through Dinner + Bikes in a capacity that isn’t PG-rated. Or, in many cases, our events simply turn weekend warriors into everyday commuters.

But that’s just the beginning. We’ve been able to watch as action brews in our wake and people write blog posts or send us emails about how learning about Portland’s history or what activism is working elsewhere has propelled them into action. They are engaging city officials about how bicycling is an economic stimulator or learning how to be politically effective in asking for the changes they want to see and having the confidence to do so. In Reno, NV we watched an entire new advocacy organization form after we left town, employing the tactics they’d learned from our video about Active Right of Way in Portland.

Sometimes we are shocked to learn what has been going on in places like Spokane or St. Louis where monthly rides can attract over one hundred people year round, despite weather, darkness, and lack of infrastructure.

In Detroit, we were very lucky enough to end up performing at the Handy Jam, formerly the sound stage for Jam Handy Productions, which anyone who downloads expired copyright films knows of as one of the most prolific pre-Hollywood era propaganda filmmakers. At our event there we met the coolest “competition” Dinner + Bikes could have in the form of Detroit Brunch & Bike, a group of young people who ride their bikes to various local restaurants once per week and throw hundreds of dollars into their local economy. Inspiration, match and serve!

In my hometown of Cleveland, an elected official told us that we were not living in the “real world, where people want to drive to grocery stores and the mall.” A minister confirmed our suspicions that there is a special place in Hell for bike thieves. A latecomer who missed the parking portion of the presentation mansplained about the importance of talking about the costs of car parking. And despite no one suggesting it, a public employee explained that he couldn’t ride the 28 miles from his house to his office. And it was, of course, the advocates who told the room just how dangerous and complicated bicycling is. Numerous people complained that they didn’t relate with the Portland experience. But somehow, after all that, Elly was able to save the day by putting them into their midwestern competitive spirit, telling them that their football rivals, Pittsburgh, were doing more for bicycling than Cleveland, despite teetering on the edge of bankruptcy.

Sometimes the greatest joy is seeing that Memphis and Houston are rapidly developing their bikeway systems and riderships, even though it’s not being reported much in national media or even on the internet. So we leave our computers and meet the people in real life, like Amy Murphy in Mobile, Alabama who told us after we left, “Since you’ve gone, not a day has gone by that we haven’t ridden our bikes everywhere we’ve gone and even embraced taking the lane a few times (in admittedly low traffic). This afternoon we’re headed to Fairhope to see how their newly restriped areas of town are doing and so we can write their mayor and city council to thank them for it and let them know it brought us to their town to spend some money. Anyway, all that to say that we’ve taken on even more of a role as bike advocates here in town, thanks in large part to your visit, and we’d love to stay in touch. I just read your entry on my hometown of Baton Rouge and am amazed that anyone can bike in that city, though I did notice the prevalence of sharrows in my sister’s area of town starting a few visits ago… I would be terrified to try them out with all of the surrounding aggressive drivers, in all honesty, but each time I go I’ve noticed more and more cyclists and it seems a lot less intimidating.”

The biggest reward is watching people who work a typical day job during the day, but see the need and take up the challenge, becoming superheroes—whether that means routinely poking elected officials to keep their promises, spraypainting guerilla bike lanes in the middle of the night (that sometimes become permanent), or organizing petitions with businesses to improve neighborhoods for better living conditions.

On this most recent tour, we went to cities like Detroit, DC, Buffalo, Lafayette, Cincinnati, Indianapolis, and East Lansing where bicycling is one of many concerns in a crippled economy where basic needs are not being met. Despite this, we found huge riderships almost everywhere we went and even where road or cultural conditions were not ideal, it didn’t ever seem to take the smiles off people’s faces.

This year I set out to take one good photo every day of tour and while I failed to some degree, I feel that, in the same way, certain events exceeded expectations by such a wide margin that they were much more photogenic and deserve half a dozen photos.

Get to know Grow: Introducing Designer Meggyn Pomerleau

Grow coverGrow: How to take your do it yourself project and passion to the next level and quit your job! is a practical field guide for creative people to achieve success and sustainability on their own terms. Part of Grow’s mission is to empower creative people to come up with innovative solutions to make their creative passions sustainable career options. The first step in that process is to assess where you are and define where you want to go. In the spirit of Grow I posed a series of questions to Meggyn Pomerleau, who designed the book, about her career and goals so far. The issues that Meggyn outlines in our conversation are the ones that inspired me to write Grow: How to balance your creative passion with “real life,” how to understand what you and your creative work is worth, and how to face down an uncertain future with a careful planning.

Right now I’m in the process of putting together a series of workshops around the country this summer that will help creatives like Meggyn plan for DIY success. Until midnight on April 1 (9 pm pacific time) we are running a campaign on RocketHub.com to support the workshop tour and the production of Grow. We’d love to have your support!

How do you describe yourself creatively? What do you do and make and what would you like to do and make?

– I am a graphic artist. I make, draw, manipulate, form, paint, and sketch. Professionally, I’m a graphic designer and I primarily build websites. What I really like to do is illustrate and create typefaces.

What skills do you think are your strongest?

– My communication skills have gotten me to a point where I haven’t had to seek out work, ever.  I’m also surprisingly good at drawing using my touch-pad on my laptop.  


What skills do you feel you need to develop? How will you go about this?

– I still need to work on my time management skills, as well as practicing and researching my craft. Unfortunately, because I’m still a full time cubicle drone it’s difficult to find the time to work on my technical skills. That’s my main challenge right now–to make the decision to devote myself fully to my passion, or taking small steps to allow myself to have it in the future.


How integrated is your creative work into the rest of your life?

– My life is design, despite having the office job. I dream about typography; I pay attention to advertisements and details in logos, banners, and posters; and I’m constantly brainstorming pieces in my head. If I had to break it down in numbers: 40% of my life is the non-creative office job, 25% is actually creating, and 35% is everything else.

I believe it’s completely possible to turn the 25% into 75% if I choose to, but I’m worried about failure, inconsistent work flow, and settling for work I wouldn’t be interested in.


What is something you didn’t learn in school that you wish they taught about making your life and living as a creative person?

– One thing no one discussed was how to know what you’re worth. A lot of fresh graphic design graduates settle for production work, which doesn’t do anything for you, creatively.

Additionally, I wish that I had more one-on-one guidance and the professors helped us determine what kind of designer we were, how technically skilled we were, and where we should go to look for work in order to shape our future a bit. Design can be applied to many things, and if it’s not narrowed down to a specific category, it’s overwhelming to try to decide what category you’re going to focus on and try to pursue.

What are your creative goals for the next year? For the next five years?

– This next year, my goal is to develop a consistent style in my design that draws people to my work. I haven’t painted in the longest time, and I’m going to start again, to get back to my roots of being an artist.

In the next 5 years, I’d like to work for an agency or something fast paced and high stress or work as a freelance artist full time with clients sending me consistent work.

Grow tips

Check out Meggyn’s work in Grow! https://microcosmpublishing.com/catalog/books/3905/

And support the RocketHub campaign here: http://www.rockethub.com/projects/14039-empower-diy-creative-entrepreneurs-with-grow

2012 Financial Report

In the name of fiscal transparency, here’s our 2012 financial report! You can read them from 20112010, and 2009 too! We’ve made a lot of headway this year and feel like we are approaching a good place despite a recession and changing publishing industry. We’ve resolved a tremendous amount of old debt so big thanks and hugs to everybody who stuck with us this year. We are still working on re-instating last year’s reduced wages and healthcare but we are finding creative ways to work out those problems by next October. Here’s a toast to continued improvements in 2013! If you want to help, it is always helpful to sign up for a BFF subscription or purchase anything from the site!  

2012 Income $264,226.84 (17.3% decrease)

 

Expenses

=========

Printing Bills $84,418.65 (34.2% increase, 32.9% of budget)

Total staff wages $46,908.84 (a 106.4% increase, 17.8% of budget)

Shipping $39,153.20 (5.9% decrease, 14.8% of budget)

Paid to publishers and distributors $32,306.09 (64.8% decrease, 12.2% of budget)

Utilities, insurance, phone, office supplies, etc $26,716.09 (32.8% decrease, 10.1% of budget)

Rent $10,400 (17.5% decrease, 3.9% of budget)

Royalties to authors $9,911.44 (27.3% decrease, 3.8% of budget)

Zines bought from makers $6,033.04 (68.6% decrease, 2.3% of budget)

Advertising $5,457.80 (81.1% increase, 2.1% of budget)

Catalog Printing $2,638.56 (8.6% decrease, 1% of budget)

Travel $1,251 (71.1% increase, .5% of budget)

Staff Healthcare $0 (0% of budget)

Donations $15,495 (488% increase)

=================

Total Expenses $265,194.71

 

Total $-967.87 (loss)

Here at the ‘cosm …with the CIA.

Happy Valentine’s Day! I hope all you lovers out there were out lovin’.

We’ve been active around here lately. Tim is heading down to Austin for Staple, our store continues to evolve, we’ve got lots of bright ideas for the future, and we’re adding lots of new titles on the website!

If you haven’t read the new CIA Makes Science Fiction Unexciting yet, you should. It’s creepy. It’s disturbing. It’s angering. Some parts are downright sickening. But it’s also exciting, enticing, and undoubtedly interesting. It contains minimal speculation and maximal research. Much of the content is admitted by government officials and operatives themselves. And the book compiles it together to let you see more of the big picture. And it’s not a pretty one. Not only does it bring un-skewed history to light, it’s a time capsule that you can send to friends and family to provoke thoughts and conversation. Even if they don’t want to believe most of it, it’s provocative so they can’t help reading it anyway. If you’ve read the original zines, you still want this, because it’s all been updated.

😉
Stay safe out there!
-Jeff

  CIA book