The Kids are Alright: An Interview with Dawson Barrett

Dawson barrettA whole lot of hours and days and weeks in the last year at the Microcosm HQ have gone into pouring love and effort into Teenage Rebels: Stories of Successful High School Activists from the Little Rock 9 to the Class of Tomorrow. We couldn’t be prouder of the end result, which just came back from the printer. Author Dawson Barrett kindly answered some questions about the book and his vision:

How did your original idea become the book that readers can hold in their hands today?

The story of the original idea is not especially interesting, but the punch line is that Joe Biel and I have some similar political ideas and both think the kids are alright!

The book includes about fifty short vignettes. Some of them are pretty famous (the Little Rock 9, Brown v. Board of Education), but many of them have not been thought about, by anyone, in several decades. They had been essentially lost to history, but the digitization of newspapers has given them a chance to be re-told. The stories that made it into the book were my favorites, but there were hundreds more.

After I wrote the vignettes, Meggyn Pomerleau put the cover together and added the illustrations. I think about half of them are loosely based on actual historical photos, but for the rest she had to work from scratch. And they really bring the stories to life. The book is not quite a graphic novel, but it shares many of the same story-telling advantages.

Who is the book for? Who do you ideally want to read it?

teenage rebels sample pageIn my mind, there are two main audiences for the book. The first is the most obvious. It’s for teenage rebels! I wrote it for young people. It’s their history. So, I hope they find it useful. I think these stories are empowering, and teens are an especially disenfranchised group. My own teen years were an exercise in correctly identifying injustices and then directing my anger almost entirely at the wrong targets. So, I hope young people will read the book and see that it is possible to vent your frustrations in ways that actually make positive changes. The future is in their hands.

The second audience for the book includes teachers and other people who work with youth or who are otherwise interested in being their allies. As I think about it, though, this is really just an indirect route to the first group!

I’m a history teacher, and all over our country, there are serious efforts to re-write the US history curriculum to downplay inequality and protest and instead promote empty patriotism and respect for authority. Those are the actual stated goals of one such campaign. I would love to counter that. My dream would be for high school teachers around the country to find themselves with a few extra minutes left at the end of class, and maybe talk about something a bit more exciting (like, say, a couple of stories from this book!). They are set up to be conversation starters: Why were the students upset? How did they try to make change? Why did they win or lose? How does this compare to your school experience?

Were you a teenage rebel yourself, or did you come to be an appreciator of teenage revolution later in life?

Teenage rebels coverI was a pretty angry (and overly serious) young person, and I went to high school in a very conservative, small, and often small-minded town. Thankfully, I had a few friendly teachers and a very active punk rock scene. My friends and I primarily rebelled by putting on punk shows and through them creating our own social spaces. And that required a lot of organization. Our town couldn’t sustain a music venue, so we had to rent out American Legion halls and do all of the work ourselves—book the bands, hang up flyers, set up and clean up, etc. So, basically, just imagine a 16-year-old with a mohawk haggling with a Korean War veteran over a broken folding chair at the end of the night. That, in a nutshell, was our teenage rebellion.

Those experiences very much shaped who I’ve become, but at that time I had no real understanding of how power works. So, I really wouldn’t call anything I did “activism.” I didn’t find activist politics until a bit later on.

You’re going on tour with the book in July and August. What will happen at your tour events and why did you choose this way to promote the book?

Well, DIY punk tours were a huge part of my life at one point, but it’s now been ten years since my last one. This tour will essentially swap out basements and squats for independent bookstores and public libraries. And I’ll be accompanied by my partner and our three-month-old, instead of a band. I do think the spirit of the tour will be similar, though. The goal will still be to meet new people and see new things. Plus, I think there’s at least a discussion to be had as to whether squats or libraries are more under assault from the powers that be!

Thus far, the talks aimed at teens will be a combination of stories from the book and brainstorming sessions around who makes the decisions that govern high schools, which decisions young people would like to see changed, etc. This is really a new world for me, but teen librarians are awesome. At one event, after my talk, we are all going to make protest posters. At another, there will be a button-maker for protest buttons. I think it’s going to be a fun tour!

Anything else I should ask?

I’m not sure what the question would be, but the answer is that, honestly, the book is really fun, no matter your age. I’ve read these stories hundreds of times now, but many of them still bring a smile to my face. The kids are alright, indeed!

Also, the book makes a really great gift for the rebellious teenager (or teacher) in your life…and for the teen section of your local library…and maybe even the library at your old high school…

This has been an interview with Teenage Rebels author Dawson Barrett. It’s one of a series of author interviews; the last one was with Consensuality author Helen Wildfell. The next is with vegan cookbook author Joshua Ploeg.

White Elephants: A review

white elephants book cover

I began Katie Haegele’s White Elephants intrigued by the idea of finding magic in yard sales, because I too seek meaning in the conventionally benign. 

The book begins with a thoughtful meditation on the catalogue of experiences and objects that is to follow. It opens with a dose of explicit emotional honesty, which establishes the tone of vulnerability that pervades and characterizes the author’s writing. 

Just when I am growing bored with the endless tabulation of strange, kooky, sometimes creepy, random articles, Haegele expresses an impression so specific, so obscure, and so resonating that I feel an absolute sense of human connection. Things that I inherently understand, without having ever quite put into words myself. The feeling of autumn, crying internally—all small, and beautiful sentiments Katie captures with the clarity of her perceptive voice. The author is dreamy, she senses the life we instill in our possessions that eventually become discarded, and in rescuing them is perhaps saving a part of herself. 

White Elephants parallels rummage sales and yard sales with the death of one parent that catalyzes an intimacy with the other. It is a book about losing and finding, being lost and ultimately being found.

Find your own copy of White Elephants here. You can also read an interview with the author on our blog!

This is the first of a series of Microcosm intern book reviews. The next one is Cyn’s review of Aftermath of Forever.

Breathe New Life Into This: Meal Deal With the Devil

Our intern Coco is funny and perceptive and has a hilarious Twitter account. So we plopped a stack of books in front of her that, for one reason or another, we have way too many of in our warehouse, and asked her to write short descriptions of who each book is for, based only on looking at the front and back cover. She obliged, and we’ll be featuring her analyses one by one in hopes of making new matches between books and readers.

Here’s our first swing, at the greatest little golden book you never had as a kid:

 

meal deal book cover

 

Book: Meal Deal With the Devil by Dan Abbott, Corbett Redford, and Jason Chandler

What it is: A sing-along songbook for adults by cult music heroes Bobby Joe Ebola and the Children MacNuggits

Problem: The book’s price was too high. We originally set it at $19.95 because of its high production cost (it’s a full-color book on special paper that comes with a CD), but most readers didn’t want to pay that much. We’ve since lowered the price, but the book had already lost steam.

Market analysis: Coco says that this book is right for: 

  • A group of guy friends who formed a Black Sabbath tribute band that’s actually pretty good.

  • Dads with a sick sense of humor who love screen-printing and hanging out with their buds in the basement of the comic book shop on Saturday nights.

 

Is it true? Is this you or someone you know? Only time will tell.

Self-Promotion for Authors: Social Media Wrangling

elly-tweetingIt happens all the time. I’m meeting with an author to talk about promoting their book….and they have that look in their eye—gleeful, nervous panic. “I’m going to have to start using Twitter!” they proclaim. I want to say “There, there, no you don’t.” But while that might be good advice, the opposite might also be true. 

Here’s a handy list of social media book marketing tips for the uninitiated:

You don’t have to do it all

Just because you wrote a book does not mean that you have to sign up for Twitter, open accounts on every platform you’ve heard of and some you haven’t, or spend hours a day figuring out how to navigate various social media platforms while battling anxiety about spamming people or looking silly. If exploring the wide world of social media sounds fun, then go for it, but if you have limited energy for such things then choose your battles wisely. 

Use the social media that you already use

If you’re already active on Facebook and feel comfortable using it, then by all means go ahead and make yourself a Facebook author page. Build it up the same way you built your personal presence there way back in the day—slowly and organically, engaging with your friends, family, author/publishing colleagues, and—increasingly as time goes by—random strangers. If you’re at ease and confident talking about your work and other topics you care about, your community will be too.

It is very likely that you’ve written a book for people with similar interests and demographics to your own, which often means you can stick to what you’re already familiar with. But then again, you might want to branch out. Here’s the real litmus test:

Go where your readers already are

Who are your readers? Where are they going to find out about and rabidly discuss your book? That’s the place you need to be. To find out, choose one to three books that are most similar to yours that came out in the last year or so and feverishly search every social media platform for the titles and authors. 

Choose your social media platforms based on your readers rather than your subject matter. For instance, a vegan cookbook author might well find their biggest audience on Pinterest where food photos reign supreme. But if their book’s community is younger and hipper, Tumblr is probably the way to go. If your audience is teenagers, head to Snapchat. If you’re trying to reach men, try Twitter. 

The rule of thirds

I learned this rule from Culinary Cyclist author Anna Brones. When posting on social media in your professional capacity, you want to follow these rough proportions:

1/3: Broadcasting: Promoting and linking to your own stuff

1/3: Sharing: Posting relevant links or ideas by other people, whether colleagues, fans, or experts

1/3: Conversation: Engaging with your community about topics of mutual interest, including asking questions, or letting a bit more of your personal world come through

Links are key

Try to include a link and an image with everything you post. Link to the publisher’s page for your book if at all possible. People are excited about your book—help them get their hands on it!

Images work

Some social media platforms are entirely image-based. The ones that aren’t will show your post to way more people if you include and image or a video. Images can be literal or related in some more poetic or funny way. They don’t have to be works of art—phone photos and screenshots are great. Make a game of coming up with a graphic to go with half your tweets or posts.

That said…images are what feed the algorithms this week. Next week, who knows!

Be prepared

Do you like social media a little too much? Don’t want to spend your entire day clicking and scrolling? Just don’t have time for this stuff? Once you’ve figured out where you want to be and have a basic understanding of how your chosen platforms work, then take a step back and do like the pros—and make a schedule. For instance, maybe you’ve decided that three posts a day on Twitter at three different times is what’s right for you. Draft out 3 ideas or topics per day for the next week. When you come across an article you want to share, see a review of your book go live, or finish a blog post, add it to your schedule instead of immediately logging in and getting caught in the vortex. Then at the appointed times, check your cheat sheet, log in and quickly post, respond to anyone who’s engaging with you, and get out unscathed.

If you love planning ahead then think about what you’ll post leading up to your book publication date, your release party, or any relevant holidays.

Never pay for social media advertising

It offers no benefits. Nuff said. [Edited, 2018: Algorithms have changed since this was originally written, and now judicious use of Facebook ads can be helpful in selling books—but that may all change again.]

Build it slow and steady

Be patient and consistent. Post every day. Try new things and keep doing them if they work. Engage with people as equals. Find people who do it really, really well and emulate them. Be yourself. Have fun. 

This is an occasional series called Self-Promotion for Introverts, geared towards Microcosm authors but hopefully useful to a larger field of shy people with something to promote. The last post was about Getting Psyched for Self-Promotion. You can read more publishing lore like this in Joe Biel’s book, A People’s Guide to Publishing.

Rampant Media Consumption – May 2015

madmax Here’s a taste of what we put in our brains last month:

Meggyn

This month, I put together some book and music pairings for you.

Book | Author | Artist | Album

A Clockwork Orange by Anthony Burgess pairs with Jon Hopkins Immunity 

Bikenomics by Elly Blue pairs with Bleached Ride Your Heart 

​Biopunk (A Collaborative Work) pairs with Snakadaktal Sleep In The Water​ ​

The Virgin Suicides by Jeffrey Eugenides pairs with  Wild Nothing Nocturne​ 

No One Belongs Here More Than You by Miranda July pairs with Zero 7 When It Falls

Also, ​a new genre was born: Post-apocalyptic Feminist Action Thriller. If you haven’t seen Mad Max, it’s a MUST…but don’t bother watching the previous films if you haven’t already.

Coco

Looking/Listening/Feeling 

Jerry Saltz anything and everything
Dirty Beaches. Exclusively the “Badlands” album.
-My Bloody Valentine
Julia Holter
-Picasso, De Kooning, Mapplethorpe
-Patti Smith’s Just Kids (before the backpack safekeeping my copy was stolen) 
-Saw Gag play at Seattle’s Rain Fest. This was my first hardcore show. The front man came out wearing an oversized adidas tracksuit and baby mask, then he stripped naked. It was great. 10/10.

Cyn

This month I’ve been finishing Jeff VanderMeer’s Annihilation and its super-weird creepiness. I finally jumped on the Outlander boat (just the show, so far) and I’ve developed an addiction to NPR, which used to just be my husband’s thing, and Last Week Tonight with John Oliver. Feeling so very far away from everyone I know has left this little seed of isolation, and knowing as much as possible about the world right now seems to help. On the music front, I’ve spent a lot of time time working on commute playlists full of pop-y folk music and jazzy hip-hop.

Elly

I was on tour all month and consumed the following media: 

-Jessica Hopper’s new book, The First Collection of Criticism by a Living Female Rock Critic, which I bought at Quimby’s and read on the train home.  
-We spent about 2/3 of the tour listening to the Pillars of the Earth audiobook, which is like Game of Thrones with entrepreneurs instead of magic.
-The Hair Metal and Ozzy’s Boneyard channels on Sirius/XM, with the essential addition of my tour-mates’ commentary.

Nathan

Nathan went to a bunch of book readings at Powell’s and reports back the following:

Cool reminds him of: Everything we sell :o) We are the epitome of “Rebel Cool”

Lost Boi reminds him of our Punk Fuckn Rock Superpack, Homo for the Holidays, and Portland Queer.

The Upright Thinkers makes him think of our newly-controversial Evolution magnets and stickers

How to Clone a Mammoth inspired him to have a heart-to-heart with a cat.

The Crossroads of Should and Must brings to mind Grow and How to Be Creative More Often.

My Body is Yours reminds him of the Fat is Beautiful zine, Learning Good Consent, and our Healthy Relationships superpack.

Lord Fear brought to mind G.G. Allin’s prison diary and Sober Living for the Revolution

Everything You Ever Wanted brought to mind Ariel Gore’s work, Tomas Moniz’s stuff, and The Happiness Project,

He also went to Mississippi Studios’ Best New Band Showcase and came away playing the air guitar and thinking about How Music Works


The Long Road to Consent: An Interview with Helen Wildfell

helen wildfell and a puppyHelen Wildfell came to us with a proposal for a zine about her experiences learning to build healthy relationships. We liked it so much that we asked her to turn it into a book. The result is Consensuality: Navigating Feminism, Gender, and Boundaries Towards Loving Relationships. With the help of a handful of brave coadventurers and Microcosm designer Meggyn Pomerleau’s illustrations and interactive activities, Consensuality is like a friend friend who sticks with you through the toughest times and helps you always move on to do things better. 

Consensuality is a very personal book, in which you and others share some pretty hard-learned lessons and brave levels of self-examination. Did you know the major themes of the book before you started writing, or did the insights come out in the writing process?

I initially wrote about the topics in Consensuality out of emotional necessity. I was at a place in my life where I needed to reexamine how I approached relationships, and writing was my method for sorting through my own gender and sexuality. As I continued to write, I began to notice that certain emotional themes kept reappearing. For instance, the three R’s in the book (Regretful, Resentful, and Respectful) emerged through the simple act of writing down my feelings.

There were still many more insights to be gained after I began turning Consensuality into a full-length book. I focused more on uniting the themes into a cohesive idea of Consensuality, which eventually led me to realize that consent is more than a concept, it’s a long journey with changing themes. Each time I reread the book, sit down to write something new, or just interact with my partner, I discover additional ideas about consent and how it works within relationships.

Your book is different than most other books about relationships; you don’t offer rules or formulas for having a healthy relationship but share examples instead. Can you talk about why you chose to write this way?

I think many “self-help” books reinforce the idea that there is one way to live life. Acting as an authority on a topic and creating rules for obtaining success can make the ideas in a book appear as some sort of absolute truth. But as convenient as it would be to have a formula for healthy relationships, examples of personal experiences provide more insight into the intricacies of human bonds. It was very important to me that my voice be read as one perspective in the larger conversation about healthy relationships. Including contributors as co-adventurers was also a crucial part of providing a fuller picture of consent. The other authors involved in the book offer viewpoints that extend beyond the limits of my individual experience.

consensuality cat by meggyn pomerleauThe book comes out July 14th. How do you think readers will respond? How do you hope the book will be taken?I imagine that it will be easy for some readers to relate to the experiences and lessons in Consensuality, while other readers may find blind spots in how I wrote about consent. There’s so much to explore when you’re interacting with another person; I know that we are only scratching the surface in Consensuality. Regardless of whether they like or dislike, agree or disagree, with what I wrote in the book, I want the readers to feel empowered to start talking about these issues in their relationships. There are a lot of ideas about consent out there, some good and some bad, but I’m very excited that people are considering consent at a societal level with policy changes and at a personal level with stories about intimate interactions. As people read more about gender, sexuality, and boundaries, I hope they’ll begin to feel more comfortable discussing consent with their sexual partners.

What’s next for you?

The plan is to continue reading, writing, and talking about equality in relationships. I’d like for my next project to start from a personal place, like Consensuality did, and lately I’ve been thinking a lot about how money affects relationships. It was a major issue for my parents, even years after their divorce, and while my partner and I generally have healthy communication habits, the intermingling of our finances is new territory for us. It’s easy to see money issues as something that only irresponsible people face, but the reality is that as long as money is unfairly distributed, it will challenge equality in all relationships. I want to start exploring how individuals can challenge the effects of economic inequality in their personal relationships.

This interview with Helen Wildfell, author of Consensuality, is the latest in our series of author interviews. Our last author interview was with Crate Digger author Bob Suren. The next interview is with Teenage Rebels author Dawson Barrett.

An interview with Bob Suren

bob surenBob Suren’s book, Crate Digger: An Obsession with Punk Records, comes out on June 8th, and advance copies have been immediately charming everyone in sight. The kickstarter-funded book captures the ups and downs of Bob’s life as a legend of Florida’s hardcore scene and a bellwether of the changing music industry. 

Be sure to check out Bob’s youtube channel for priceless Florida hardcore moments of years past. You might also be able to catch him on tour this July if you live…well, just about anywhere in the southeastern, mid-atlantic, or central parts of the US. Best yet, he’s recording an audiobook of Crate Digger, and many bands discussed in the book have given permission to include their music.

1. Lore is that Crate Digger started as a series of Facebook posts. How did those eventually turn into a book?

A: One of my friends, Shane Hinton, who is 14 years younger than me but a gifted writer and college writing professor, told me that the stories were too good to just be Facebook posts. He told me I should turn it into a book but I didn’t think I had enough stories in me and I didn’t know how to organize it. Shane gave me the idea to organize it as a record collection, with the stories in alphabetical order according to the record titles that they go with. I thought that was clever. For a few months, I only wrote once or twice a week, 300 to 1,000 words at a time. Then The ideas started pouring in and I had to keep a list of everything I wanted to squeeze in. Then almost every day after work for a couple of months, I’d try to write a chapter and it came together really fast. Maybe three months of casual writing and then two or three months of hustling. I got exciting as I saw the ideas getting crossed off my list and the writing went faster. The last day I wrote, when I saw the end was in sight, I wrote nearly 8,000 words. That was Easter Sunday 2012. 

Then came the hard part—trying to find a home for it. For about three or four months, I tried big publishing houses and agents. I did get some positive feedback but no offers. Then I gave up for about four months. Then a friend laid out all the text for me like a book, with graphics and formatted pages. That got me really excited and I started looking for a publisher again. For the second time around, I decided to go after indie publishers and made a short list of about ten. The publisher I really wanted ignored me, which I thought was rude. Then I skipped a few names down the list and tried Microcosm Publishing on my fourth or fifth day of the renewed search. Joe was into it right away. After just a few emails, maybe just 90 minutes times, I was looking at a contract. He had only read two sample chapters. I asked him if he wanted to read the whole book first and he said no. By the time I flew to Portland in Aug. 2014 for the final edit, Joe had only read about half the book. He read the second half for the first time with me right by his side. The editing process was fast and easy. I think we only lost about six pages from the original text, mostly redundancies. I was expecting to bang heads, but the editing process made for a stronger book.

2. The book is organized alphabetically—is that how you used to organize your record collection?

A: When I only had a handful of records, I kept them in the order I bought them, with new stuff up front and old stuff in back. Eventually, this method made it too hard to find what I wanted so I went to alphabetical. I used to keep all the unheard stuff in a small stack on my desk until it got cleaned and listened to once or twice before shelving. I once had a job at a public library. To get the job, they made me alphabetize a bunch of books and put a bunch of books in order by Dewey Decimal. I think it was 40 books in all, all scrambled. They said I had the fastest time ever. I think I did it in less than two minutes. They didn’t know about Sound Idea, the dustiest but most well-organized record store of all time. Even the T-shirts and stickers were alphabetized.

bob suren meets henry rollins3. Fan response to your book has been tremendous—do you have any stories to share about how people are reacting?

A: Yes, I have been getting lots of emails from old friends and people I never met telling me that the book touched them, that they can relate to it. I just got a long email today from a guy I never met who had some of the same experiences. I think what makes a good book or a good song is that it is relatable. That’s why all those old blues songs still make people feel good, because the listener knows he’s not all alone. So, there are a lot of relatable stories and a lot of universal themes, what I like to call the Big Stuff. I wanted to put in a lot of the Big Stuff so that even people who don’t know the music can understand. My 70 year old co-worker told me that she didn’t know anything about punk but she went through all the Big Stuff, too. That’s exactly what I wanted to do. 

And, of course, there are stories so bizarre that they could have only happened to me. Yesterday a guy asked me if the story about the FBI agent is true. Yes, every bit of this book is absolutely true. A lot of people from my past have found me on Facebook recently and ordered the book. That’s been kind of odd but cool.

4. You’ve been navigating the music industry as it’s gone through some massive changes. What do you think is the next big thing? Or, if different, what do you hope it will be?

A: I don’t really follow the industry anymore and I am kind of clueless. I never was good at gauging trends. I could never figure out why some bands were big and others weren’t. I just followed my heart and did things the way that felt right. Some of that was successful and some of it was not. I wish good luck to all the bands, labels, distributors and record shops out there. Vinyl is huge again. I didn’t see that coming. I have no idea how long that will last, but most of the people in music are my kind of people and I wish them well. I just don’t want to crunch numbers any more and play the public relations game. I barely even want to go to shows anymore. I go to shows to talk to my friends between bands. I don’t pay much attention to what is on stage, to tell you the truth. I’m not jaded, I am just more interested in other things. If you give me the choice between a three band punk show or bowling, I’ll take the bowling. It’s new ground for me. I’m no longer interested in treading water.

5. What’s the next big thing for you?

A: Oration is going to be part of my life, reading dates and freestyle talking. I have been playing around with the idea of stand up comedy, too. And I have been writing a lot of poetry which I bet already has people laughing but I don’t care. I am not writing it for them. I’m finding poetry a great way to express myself in short bursts with no limits. I’m also very excited about recording the audio book version of Crate Digger because that’s something I have never done. New territory excites me. Ask me if I want to make a quilt and I am going to say yes because I have no idea how to make a quilt. I want to get into voice over work and maybe acting if I can get a foot in the door. That’s a whole new world that I know nothing about and I may be terrible and I may hate it, but I sure want to try.


This has been an interview with Bob Suren, author of Crate Digger. It’s part of a series of interviews with Microcosm’s writers. The last one was with Why We Drive author Andy Singer. The next is with Consensuality author Helen Wildfell.

Introducing the Scene History Series

Are you stoked about the history of your town? Do you find out interesting nuggets by talking to those who came before you or by researching the details out from books and the Internet? Do you want a reason to hunt out some people you respect for them to fill in the gaps?

Alt text

Well, the Scene History Series is an opportunity to do just that. Like our Simple History Series, we will publish three issues each year, each about a scene that tells the stories of the characters and interactions the scene has with the outside world. 

Due to their tremendous early popularity, we are expanding this series from zines into paperback books.

And we’re believing in democracy here. We are offering an open submission policy for this series. If you want to write about the history of a music scene that you are knowledgeable about or willing to research, we’ll read it, edit it, and work with you, with the goal of us publishing it.

We ask that you focus on the nuts and bolts of the scene rather than one individual, band, or encyclopedic trivia. Focus on the narrative, the characters, and the story. Why was the scene interesting? What made it tick? Why did people become so attached to it? What was unique about how it looked, sounded, and smelled? How did it redirect people away from alternate lives and change the way that they looked at the world forever?

Suggested length is 15,000-30,000 words. Get as creative as you find gratifying. Learn about your favorite places and how things developed.

Submit or ask questions to joe at microcosmpublishing daht com

 

Scene Histories so far (find all the published ones here:

1. Punk in NYC’s Lower East Side, 1981-1991 by Ben Nadler

2. The Rock & Roll of San Francisco’s East Bay, 1950-1980 by Cory M. Linstrum

3. Out of the Basement: From Cheap Trick to DIY Punk in Rockford, Illinois, 1973-2005 by David Ensminger

4. The Prodigal Rogerson: The Circle Jerks and The Golden Years of LA Punk by J. Hunter Bennett

5. The Bounce scene of New Orleans

6. Syracuse, New York and the foundation of vegan straightedge hardcore

7. Caribean Hip Hop

8. Peoria, IL

An interview with Nathan!

If you call or visit our bookstore, chances are good that you’ll meet Nathan Lee Thomas. As Publisher’s Assistant and Community Relations guy, he’s learning the trade of publishing from the big picture to the nuts and bolts, often while sitting behind a barricade of catalogs, Slingshot planners, and new releases. He agreed to answer a few questions for us here.

What are three of your favorite books and what did you learn from them?

1. Finite and Infinite Games by James P. Carse  

2. Jonathan Livingston Seagull by Richard Bach  

3. Illusions by Richard Bach 

I share these three with everyone I meet for the first time and take them to the metaphysical section of Powell’s to help them learn what I learned from them: Life is what you make it, so make it a good one :o)

You spend a lot of time in the bookstore, interacting with customers. What has been your most rewarding interaction with a customer so far?

I have to say my favorite interaction by far, and it’s the one I tell everyone, is when a German family came in to the store and after browsing around for a while, speaking German to one another, the father came over to me for help in locating a particular sticker he couldn’t find.

After several minutes of using broken English to try and describe the image to me he gave up in frustration and attempted to overcome our language barrier by exclaiming, “FUCK YOU MOTHER FUCKER !!” while raising his fist in the air.

 Of course, I knew exactly what sticker he was looking for :o)

What’s your favorite place in Portland? What about not in Portland?

Portland: Top of Mt. Tabor overlooking the city :o)

Not in Portland: When I lived in Germany for two years (ironically enough, this did nothing to help me prepare for German tourists here in Portland), I absolutely fell in love with Trier and would take everyone I knew to visit the city. By the time I left Germany, I must have taken a trip to the city at least half a dozen times or more :o)

This is part of a series of interviews with Microcosm workers! The next one is with sales director Thea Kuticka.

Rampant Media Consumption – April 2015

Here’s what we’ve been checking out this month.

Meggyn

Music: Cherry Glazerr, Jacco GardnerThee Oh Sees, Wild Nothing, Madlib, King Woman, Acid King, J-Louis, WAND, Meatbodies, Ah-Lahs 

Books/Zines: My Complicated Relationship With Food, Middlesex, Crate Digger, Snakepit Gets Old

Film/Shows: The Wolf Of Wall Street, Archer, It Follows, Dear White People

Joe

A BUNCH OF PRETTY THINGS I DID NOT BUY

This is exactly the kind of book Penguin should be publishing: expensive, risky, minimalist, and something that wouldn’t exist in the market with the risk management strategies of indie presses. Seemingly an innocuous book about fluffy consumerism, Sarah Lazarovic’s book about coveting beautiful things goes shockingly in depth about the political ramifications and results of our shopping. She looks at people’s tendencies to hoard, where the clothes are manufactured, the equation of identity with brands and fashion, and how we sometimes find ourselves buying things that we don’t even love. She grew up in suburban Florida, miles from the “good mall” where she carved out who she was before abandoning its synthetic smells for her local thrift store and a game of seeing how many rayon dresses she could obtain for a crisp twenty dollar bill. By the end she is living in Ontario and is now an adult, making much more informed choices about where her products come from and not needing to own all of the ones that she admires. It’s a fabulous treatise on shopping, an indulgently joyous book to read, and surprisingly political with plenty of social commentary. Even when I didn’t agree with her conclusions, her ability to engage my cognitive thinking was a breath of fresh air.

Elly

I wasn’t feeling well at the beginning of the month, so I lay on the couch and watched a few Studio Ghibli movies I’d never seen before. Princess Mononoke was perfectly entertaining, kind of heavy-handed but so it goes. I was much more enchanted with The Secret World of Arriety and Howl’s Moving Castle—probably because they’re both based on books of my childhood.

Then I started to read Snow Crash. It was an exciting dystopian ride through the “loglo” (that’s what lights up the future when it has turned into one giant strip mall). The story was engaging and grappling with ideas about sexism and racism in interesting ways, and I enjoyed it immensely right up until about halfway through when it turned into a long, rambling treatise about an ancient Sumerian language and the Tower of Babel and a good goddess and a bad goddess and I don’t even know what else. It started to feel like that time I was at a party and a guy wouldn’t stop until he’d explained to me his entire made-up theory of pre-history and why it justified all sorts of messed up things about gender relations and so forth. I think the book’ll get better, but can I stick it out ’til it does is another question. It’s a huge book; if you don’t want to commit to reading it yourself here’s a review that’s almost as long.

Erik

First and foremost, I want to share something that maybe many of you are familiar with, but I found this worthy of remembrance. I could try and describe what it is you’re looking at, but I’m still speechless.

I managed to get a little reading in, the recreational kind. Bel Ami, the second novel by French author Guy de Maupassant. Originally published in 1885, it’s accoladed as his finest work, and perhaps timeless is a good way to put it. Everyone knows a scoundrel, the world is full of them and although times have changed, the scoundrel has remained, more or less the same. This story follows one such person as they climb the Parisian social ladder and manipulate themselves into a prominent position at a forerunning newspaper. Full of the typical balances of love, wealth, strife, and dueling, Bel Ami is an engaging and quick read for those looking to familiarize themselves with the methods of the cheat, scoundrel, riffraff, reprobate, or otherwise rogue type.

Still well engaged in Champions League soccer. My beloved FC Bayern Munich is on their way to play the juggernaut, FC Barcelona, in the semi-finals. The paring should be the favorited high-octane explosion of talent expected at this level of play. There will be more money in talent on the pitch than the national debt… well almost, but truly, should be high quality.

I normally enjoy, on a dubious level the films by Wes Anderson, mostly as I try not to let my imagination get the better of me. However, this week I finally watched Moonrise Kingdom. As I’m likewise sure many of you who’ve seen this film, I too was reminded of everything that made being a kid great. As a child who spent a great deal of their childhood in the scouts, I felt the best intentions were shown on screen. The adaptation sung the highs and lows with more than enough creativity to carry me away into the best versions of my youthful memories.

I’ve been getting a healthy dose of Fela Kuti, famed for having trademarked the term and musical styling Afro-Beat. I’ve known about and listened to his stuff for years now, but recently I watched the documentary Beware of Mr. Baker, and I’ve since been back it. The film parlays the rugged and controversial history of legendary rock drummer Ginger Baker, best known for his work with the band Cream. Of the many irresistible adventures Mr. Baker embarked, one such was traveling to Africa to play with Fela. They recorded some music together as a demonstration of both of their diversity, although Fela shined through. Felal Kuti, as a side note famously traveled with a musical entourage of 70 people. His group name: Fela Kuti and the Africa 70, is in reference to the population. I’m a big fan of the 1975 album Expensive Shit Expensive Shit.

Nathan

Went to more Powell’s book readings and thought about related books and zines on our own shelves. :o)

Partisans reminded me of The Blue Suitcase.

So You’ve Been Publicly Shamed reminded me of Accounting for Ourselves, Support, and Our Commitment is to Our Communities.

DIY Magic reminded me of Grow, How to Be More Creative, More Often, Austin Kleon’s Show Your Work and Steal Like an Artist, the 75 Tools for Creative Thinking card deck, and Mighty Ugly.

Is Shame Necessary reminded me of The Power of Neighborhood and the Commons, How to Make Trouble and Influence People, Anarchists in the Boardroom, Don’t Leave Your Friends Behind, and everything by CrimethInc.

Dreamland: The Story of America’s New Opiate Epidemic reminded me of Agents & Assets and Whiteout.

And I went to an OMSI Sci-Fi Festival, which reminded me of Bikes in Space volumes one and two, space sharks, Lowriders in Space, and Octavia’s Brood.

Coco

Listening: Jerry Paper’s newest album, an ex-Animal Crossing lovers dream. Perfume Genius, Iceage, and John Coltrane’s Interstellar Space.

Reading: The collected short stories of Lydia Davis, bell hooks’ All About Love, Joan Didion’s Slouching Towards Bethlehem. Also making a third attempt at Gravity’s Rainbow.

Looking at: It Follows- the movie didn’t scare me, but the idea of it did. Tons of stock photos of Komodo dragons for an impromptu art project.